這座浮島，讓你全身心放鬆在運河的景觀之中教育頭條網

2018-08-18 23:52:03 專築網

在2018年布魯日三年展中，OBBA希望在這片美麗的風景之中做出一些小改變。於是，“浮島”項目便應運而生，漂浮在水面上的流線型空間，模糊了運河的邊界，同時引導著人們來到水邊。人們在這裡可以步行、休憩、交流，享受水面生活，建築師的設計更多的是建立城市空間的三維聯繫，並非只是單純地展示景觀。

In TRIENNALE BRUGGE 2018, OBBA intends to make a small change in these beautiful landscapes. By installing “The Floating Island”, a pavilion in long streamlined shape floating on the water, OBBA tries to blur the rigid boundary of the canal and guide people to the waterside. In this way, by planning the canal as a place where visitors can walk, rest, reflect, and enjoy on the water, not just as a borrowed scenery, OBBA attempts to connect their relationships more in three dimensions.

水上平臺由漂浮板、金屬框架、支柱和欄杆組成，一條條細繩如同窗簾般環繞，細繩簾幕及其陽光下的投影模糊了空間邊界，同時讓整個場所既開放又封閉。另外，簾幕和陰影也表達了來自自然的風元素，通過遊客的視野將熟悉的風景不斷地呈現出來。

The pavilion consists of pontoons on the water, metal frames, deck plates, metal pillars, upper metal rails connecting the pillars, and rope curtains embracing the rails. The rope curtains and their shadows create ambiguous spaces that seem to be opened and closed at the same time. In addition, the curtains and shadows reacting to the lights and winds blur the boundary, repeatedly open and close visitors’ sights, and make familiar landscapes fresh again.

人們在不同形態的空間中靜靜休息，遊客可以斜靠在扶手上享受藍天和白雲，鄰水而坐，舒緩身心的壓力，欣賞流淌而過的河水，在這個流線型的空間中放空自己，給忙碌的生活帶來一絲的輕盈與寧靜。

There are various spaces with different shapes and forms in the middle of the linear trail where people can rest quietly. Visitors can enjoy sunbathing leaning to the tilted ropes or rest on the wide rope hammocks looking at the clouds in the sky. In addition, they can sit on the edge and relieve their stress appreciating the quietly flowing water, read books or reflect on themselves sitting in the circular space alone, or sometimes have a great time playing on the swings.

“浮島”為人們帶來藝術與感知的臨界點，同時，它也模糊了日常生活的邊界，為布魯日的日常生活帶來一個跳躍的音符。運河滋潤著人們，“浮島”則給人們帶來了與城市的全新的且瞬息萬變的聯繫。

In this way, “The Floating Island” gives the time of joy and reflection to the citizens and extends the boundary of their acts and perceptions. Further, it blurs the boundary between life (daily life) and art, making a calm change in the familiar landscapes of Brugge. The canal returns to the breasts of the citizens, forms new relationships with them, and flows constantly.