王立民，山東蓬萊人，別名立酩，字無量，號鴻壽、牧公、牧工。1957年12月6日生於哈爾濱。畢業於哈爾濱師範大學政治系（經濟學學士）、黑龍江大學文學與新聞傳播學院中國古典文學研究生班。曾任省文化廳副廳長，省作家協會副主席，省文學藝術界聯合會副主席，省書法家協會副主席。現為國家一級美術師，中國作家協會會員，中國美術家協會會員，中國書法家協會學術委員會委員，西泠印社社員，中國詩經學會會員，中國漢畫像研究會會員。
少年習書畫，1975年高中畢業，作為知識青年下鄉到黑龍江省未開墾的三江平原從事農牧勞動。1978年末隨著全國知青返城大潮回到哈爾濱市，在和興百貨商店做店員，後因有美術特長做了商店的廣告美術設計師，1980年考入哈爾濱師範大學。大學讀書時，曾擔任黑龍江省大學生書法協會第一屆主席，黑龍江省青年美術書法家協會副主席。1984年畢業留校，在哈師大美術系任教。書法受業於遊壽、周齊先生，篆刻受業於劉江、吳頤人先生，繪畫受業於晁楣、賈平西先生。書法作品曾參加首屆國際青年書法展覽，入選全國第六屆書法展，提名入選全國第六屆中青展。篆刻作品入展西泠印社第四屆篆刻作品評展，入選西泠印社第二屆國際篆刻書法作品大展。中國畫《秋韻雙蝶》在第十四屆當代中國花鳥畫大展中獲二等獎。多次在日本、韓國、新加坡、俄羅斯及臺灣、香港、澳門舉辦書畫篆刻展覽。
致力於歷史學、古文字學及藝術理論研究，發表學術論文100餘篇。著有《文心雕蟲》《王立民書法藝術》《王立民印稿》《王立民畫集》《王立民書法集》《王立民書畫集》，合著《近現代書法史》《大學書法教程》。主編《遊壽書法集》及首次出版的中國最北部摩崖刻石《北魏嘎仙洞西壁摩崖刻石》。香港大學陳亞飛先生評價王立民的研究“體現了上世紀90年代以來對李瑞清研究最重要的成果”(詳見2005年《書法研究》上發表的《李瑞清書法研究的回顧與檢討》一文)；中國書協學術委員會副主任周俊傑先生則在《王立民書法集》序中強調：“作為具有思想深度的歷史學家和作為具有創造力的書法家的王立民同樣都是我們這個時代的驕傲。”
Wang Limin was born in Harbin in December 1957, his literary name is Liming, style name Wuliang, and he also uses Hongshou and Mugong as alternative names.
Limin’s ancestral home is Penglai in Shandong province. He graduated with an undergraduate degree in Economics from the Department of Politics, Harbin Normal University. Wang then studied for a postgraduate qualification in Chinese classical literature from the College of Literature and Journalism, Heilongjiang University.
He was then appointed as Deputy Director of the Heilongjiang Provincial Department of Culture. He also worked as Vice-Chairman of the Heilongjiang Provincial Writers’ Association, Vice-Chairman of the Heilongjiang Provincial Literature and Arts Association, and Vice-Chairman of the Heilongjiang Provincial Calligraphers’ Association.
Wang Limin is currently a National First-Grade Artist, a member of many associations such as the China Writers’ Association, the China Artists’ Association, the Academic Committee of the China Calligraphers’ Association and the Xiling Seal Cutting Society, China; the Book of Odes and Hymns Association and the China Han Dynasty Pictorial Bricks Research Institute.
Wang Limin began his study of calligraphy and painting in his childhood. After graduating from high school in 1975, he was sent to a farm on the undeveloped Sanjiang plain in Heilongjiang province under the policy requiring educated youth to work in and enhance the countryside. In late 1978, when the ‘educated youth’ returned to the cities, Wang was able to return to his hometown of Harbin, finding work in the Hexing Department Store.
With his professional ability in art recognized, he became an art worker responsible for advertisements and window design for the store. In 1980 he was admitted to Harbin Normal University. Whilst studying for his undergraduate degree, he was elected the first Chairman of the Heilongjiang Universities Student Calligraphers’ Association and the Vice-Chairman of the Heilongjiang Youth Artists and Calligraphers’ Association. Following graduation from the University in 1984, he became a Lecturer in the Department of Fine Arts, Harbin Normal University.
In his study of calligraphy Wang Limin follows the work of You Shou and Zhou Qi; in his seal cutting he follows the work of Liu Jiang and Wu Yiren. Wang also studied painting under the guidance of Chao Mei and Jia Pingxi. Examples of Wang’s calligraphy were shown in the First International Exhibition of Youth Calligraphy and he was included in the Sixth National Exhibition of Works Created by Young and Middle Aged Calligraphers. Examples of his seal cutting were shown in the Fourth Exhibition of Seal Cutting and the Second International Exhibition of Seal Cutting and Calligraphy held by the Xiling Seal Cutting Society. His Chinese painting Double Butterflies in Autumn was awarded the second prize in the 14th National Exhibition of Modern Flower and Bird Painting. His ink paintings and examples of his calligraphy have been exhibited in Japan, Korea, Singapore, Russian, Taiwan, Hong Kong and Macao.
Wang Limin devotes himself to history, to the ancient scripts and the study of art theory. He has published more than 100 academic papers. He is the author of The Literary Heart and the Carving of Worms, Wang Limin ‘s Art of Calligraphy, Seal Cuttings by Wang Limin , Wang Limin’s Paintings and Wang Limin’s Calligraphy. He was the co-author of the book A History of Modern Calligraphy and University Calligraphy Teaching. He was the chief editor for the book A Collection of You Shou’s Calligraphy and the Northern Wei Dynasty Gaxian Cave West Cliff Carving Stone, the first publication on the subject of the most northerly part of this cliff in China. Chen Yafei of Hong Kong University commented: Wang Limin’s work shows the most important achievements in the research into Li Ruiqing’s work since the 1990s, more information can be found in the paper with the title Revaluation and Discussion in the research into Li Ruiqing’s calligraphy within the Calligraphy Research Journal for 2005. In the foreword to Wang Limin’s Calligraphy, Zhou Junjie, the Vice-Chairman of The Academic Association for Chinese Calligraphy, emphasized that Wang Limin is a thoughtful historian and a creative calligrapher, someone worthy of respect in this period of time.
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