場地位於安吉龍山源諸多墓葬群當中一處環境十分幽靜的臨水山坡上，佔地203.71㎡，建築面積為141.81㎡，位置較為隱蔽且自身高差較大。西面有一片水塘，視線開闊，周邊松林環布，沿道路通過水壩可進入場地。
業主方希望在坐擁水，山，林三者之間的場地當中，以竹結構為主要材料塑造一處為遊客提供垂釣、休憩、賞景為一體的建築物，同時也作為龍山源遺址公園配套建設的一部分。基地踏勘後團隊討論總結了松樹是否保留、岸界離水位高度及基地地面處理等由場地引發的思考，並在之後的方案設計中均對其有所回應。
The site is located on a quiet hillside by the water among the Longshanyuan tomb group, covering a floor area of 203.71㎡and a building area of 141.81㎡. The site is relatively hidden and has a large altitude difference. There is a pond on the west with a wide view and it is surrounded by pine forest. People can enter the site through the path on the dam near the main road.
The owner hopes that the house used bamboo as the main material will provide tourists with a building for fishing, relaxing and sightseeing among the nature. It will also serve as a supporting facility of the Longshanyuan Heritage Park. After the site survey, the team had discussed and summarized some site-induced considerations such as whether the pine trees are retained, the height of the shoreline from the water level, and how to deal with the ground surface and so on. The discussed problems will all be responded in project design.
▼從水塘望向建築，View from the pond ©湖南大學建築學院
人居天地間，棲於龍山源，當授之於漁，而觀之以魚，且樂之以娛，而後思以愚——素人
Living in the nature, dwelling in Longshanyuan, people should be taught to fish, to watch fish in the YU House, then to enjoy the fun and think it critically.——Lili
▼概念生成，Concept generation ©湖南大學建築學院
任何具體事物都具有陰陽的兩重性。[YU舍]以八卦當中陰陽魚的形態棲居蜷伏於此，一方面是為了展現兩條魚之間相互交融咬合的混沌之態；另一方面也是為了隱射出世間萬物皆具有兩面性，建築塑造也並不例外。[YU舍]的塑造是對陰陽哲學的暗喻以及對垂釣行為的闡釋，同時也是對八畝墩古墓葬群這一特殊環境背景的契合。[YU舍]當中YU的諧音可理解為“魚”，表達建築之形態；亦可理解為“娛”，體驗之樂趣莫過於靜坐山林之間並垂釣於此，呼應建築之功能；亦可理解為“愚”，暗指歷史典故及強調耐心的垂釣心態。
▼建築以八卦當中陰陽魚的形態棲居蜷伏於場地，The YU House locates in Longshanyuan in the form of Yin and Yang fish ©湖南大學建築學院
Any particular thing has the duality of yin and yang. The YU House locates in Longshanyuan in the form of Yin and Yang fish. It aims to not only show the chaotic state of the two intermingling fishes but also reveal that everything in the world has two sides, architectural form is no exception. On the one hand, the shaping of the YU House is a metaphor for yin-yang theory and an interpretation of fishing. On the other hand, and it is also a fit for the special environmental background of the Bamudun ancient tombs group. Besides, “YU” is a homophone for fish(yu) in Chinese, expressing the architectural form. It is also a homophone for “entertainment”, meaning that the pleasure of experiencing is no more than sitting among mountains and fishing, echoing the function of the building. And “YU” is a homophone for “stupidity”, referring to historical allusions and the fishing mentality that emphasizes patience.
▼總平面圖，Site plan ©湖南大學建築學院
從“陰陽魚”概念入手生成形體，營造匍匐於松林之中的姿態。建築形體開口對應場地組織的兩條動線，松樹順應形體走勢根據存活可能性進行保留，通過對場地內4m高差進行分層，形成垂釣平臺、建築主入口、休憩空間及次入口四個高度層次。
Starting from the concept of “Yin and Yang fish” to shape the form, a posture of creeping upon the pine forest is created. The open side of the building shape corresponds to the two moving lines of the site organization. The pine trees is retained conforming to the shape according to the possibility of survival. By layering a height difference of 4 meters in the site, it forms-fishing platform, main entrance, resting space and secondary entrance-four space levels.
▼建築形體開口對應場地組織的兩條動線，The open side of the building shape corresponds to the two moving lines of the site organization ©湖南大學建築學院
▼室內局部，Interior detailed view ©湖南大學建築學院
▼設計對場地內4m高差進行分層，the design integrated the 4-meter height difference of the site ©湖南大學建築學院
▼夜晚室內，The interior night details ©湖南大學建築學院
建築物採取竹編織這種非傳統意義上的建構方式，旨在用非線性數控手段建構具有流動感的曲線造型，同時以魚鱗狀表皮對建築加以塑造刻畫，使其以更自然、更柔和的方式介入自然環境之中，並與之相互融合。[YU舍]延展性較強的曲面造型以及堅韌的竹構件相互編織，展現出建築陽性（剛）的一面；反之，[YU舍]隱藏於茂密的樹林之中以及安靜、收斂的姿態又表現出建築陰性（柔）的一面。
▼魚鱗狀表皮，The fish scale-like surface ©湖南大學建築學院
The YU House adopts a non-traditional construction method — bamboo weaving. It aims to use nonlinear numerical control technique to construct a curved shape with a sense of flow. At the same time, the YU House uses a fish scale-like surface to enhance the shape, letting it a more natural and softer intervention in the natural environment and feeling as exposed to the nature as possible. Its highly malleable curved surface shape and the tough bamboo components weave together, showing the rigid(Yang) side of the building. On the contrary, its quiet and convergent attitude ,hidden in the dense woods, reflects the flexible (Yin) side of the building.
▼編織節點，Weaving node ©湖南大學建築學院
▼編織與表皮，Weaving and surface ©湖南大學建築學院
陰陽魚相互纏繞的姿態被借鑑於建築形態中，寓意陰陽互生之意；靠山為陽，面水為陰，暗指自然界中陰陽相互調和轉化的定律。首先在不同標高上設置條形基礎段落，其次參數化建模確定主竹結構焊接點和竹曲面跨度，A區23組，B區18組拱形竹條構成竹結構框架，以竹編織圍合確保主體建築的美觀和穩固，耐力板保證防水透光並對竹結構主體起到保護作用，葦蓆作為墊層及防水層，魚鱗狀瀝青瓦作為飾面層。
▼分解軸測圖，Exploded axonometric ©湖南大學建築學院
The architectural form is borrowed from the entangled stance of Yin and Yang fish, which means that Yin cannot exit with Yang, and Yang cannot grow without Yin. As ancient men said, “Anything has its opposite. ” The south of the mountain calls Yang, and the south of the water calls Yin, alluding to the law of harmonious transformation of Yin and Yang in nature. Firstly, strip foundations are set at different elevations. Secondly, parametric modeling determines the main bamboo structure welding points and the span of the bamboo surface. 23 arched bamboo strips in group A and 18 in group B constitute the bamboo structure frame, which is covered by bamboo weave to ensure the beauty and stability of the main building. Endurance plates guarantee waterproofness and light transmission and protect the main body of the bamboo structure. The reed mat acts like cushion and waterproof layer and the fish scale-like asphalt shingles act like finishes.
▼前期模型照片，Early model photo ©湖南大學建築學院
▼模型細部，model detailed view ©湖南大學建築學院
▼項目夜景，Project night view ©湖南大學建築學院
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