愛德華·蒙克 博爾村小屋 HUS I BORRE 倫敦蘇富比2014.6 成交價108.25萬英鎊
作品介紹（中英文）
Painted circa 1904-1905, Hus i Borre presents a view of the coastal landscape around Borre, which occupied an important place in Munch’s art. The municipality of Borre lay along the coast from Åsgårdstrand, a resort a few miles to the south of Oslo, which Munch first visited in autumn of 1888. He took a holiday residence there in the summer of 1889, which he rented for some years until he purchased a house in 1897. In the following years, Munch travelled widely across Europe, making extended visits to Berlin, Paris and Hamburg, but often returned to Åsgårdstrand during the summer months. He painted some of his best landscapes there, characterised by his ex-pressive winding line and strong, vivid colours.
Having visited Paris in 1903 and the early months of 1904, Munch was certainly deeply impressed by the Fauve artists, whose vividly coloured canvases he would have seen there. During these extensive European travels, however, Munch regularly returned the Borre region, fascinated by the Norwegian landscape and seeking to ex-press its mood and atmosphere through colour and line. Munch's landscapes of this period had a strong influence on German Ex-pressionist painters, who had the opportunity to see his works in several exhibitions in Germany between 1905 and 1908. The brilliant, wild palette that dominated Munch's canvases had a powerful impact on the Brücke artists who were eager to move away from their urban surroundings in Berlin and other cities, and to embrace the more 'primitive' life-style and wild nature of the northern German coast. It was the daring, ex-pressive power of Munch's landscapes, pulsating with undulating lines and vivid, dramatic brush-strokes, that had such a profound effect on some of the major figures of twentieth century art including Kirchner, Schmidt-Rottluff, Pechstein and Heckel.
參考譯文
《博爾村小屋》大約作於 1904年至1905年間，展示了博爾村周圍的海岸景觀，佔據了蒙克藝術的重要地位。博爾村位於奧斯高特蘭海岸沿岸，距離奧斯陸以南幾英里，是蒙克於1888年秋季首次訪問。他於1889年夏天在那裡度假，他租了幾年房子直到他在1897年購買了一所房子。在接下來的幾年中，蒙克在歐洲各地旅行，長途訪問柏林、巴黎和漢堡，但在夏季經常返回奧斯高特蘭。他畫了一些他最好的風景畫，其特點是他富有表現力的曲線和強烈鮮豔的色彩。
在1903年和1904年初的幾個月訪問巴黎時，蒙克對野獸派藝術家印象深刻，他將在那裡看到生動的彩色油畫。然而，在這些廣泛的歐洲旅行期間，蒙克定期返回博爾地區，對挪威風景著迷，並試圖通過顏色和線條表達其情緒和氛圍。蒙克的這一時期的風景對德國表現主義畫家產生了強烈的影響，他們有機會在1905年至1908年間在德國的幾個展覽中看到他的作品。主導蒙克作品的輝煌，狂野的調色對布魯克產生了強大的影響。藝術家們渴望遠離柏林和其他城市的城市環境，並擁抱德國北部海岸更“原始”的生活方式和野性。這是蒙克風景的大膽、富有表現力的力量，波浪起伏的線條和生動，戲劇性的筆觸，對二十世紀藝術的一些主要人物產生了如此深遠的影響，包括基什內爾、施密特 - 羅特魯夫、佩施斯坦和海克爾。
畫家簡介
愛德華·蒙克（Edvard Munch，1863-1944），挪威表現主義畫家、版畫複製匠，現代表現主義繪畫的先驅。
作品資料
愛德華·蒙克
《博爾村小屋》HUS I BORRE (HOUSE IN BORRE)
估價 600,000 — 800,000 英鎊
成交價 (含買家傭金) 1,082,500 英鎊
款識：畫家簽名 E. Munch（右下）
油彩畫布
65.7 x 80.6 公分
25 7/8 x 31 3/4 英寸
1904 - 1905年作
印象派及現代藝術晚拍 北歐私人收藏
本文圖片及英文資料均來自蘇富比，局部細節圖片及中文資料系陰山工作室所加。
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