长沙铜官窑，是指唐代长沙铜官窑烧造的产品,窑址位于今长沙市望城区丁字镇石渚湖附近，始于初唐，盛于中晚唐，衰于五代，前后经历了200多年，距今已有1000多年的历史，是与浙江越窑、河北邢窑齐名的中国唐代三大出口瓷窑之一，也是世界釉下多彩陶瓷发源地。
Changsha Tongguan Kiln refers to the products fired by Changsha Tongguan Kiln in the Tang Dynasty. The kiln site is located near Shizhu Lake, Dingzi Town, Wangcheng District, Changsha City. It began in the early Tang Dynasty, flourished in the middle and late Tang Dynasty, and decayed in the Five Dynasties. After more than 200 years, it has a history of more than 1,000 years. It is one of the three major export porcelain kilns in the Tang Dynasty in Zhejiang Province and Xingyao in Hebei Province. It is also the birthplace of colorful ceramics under the world glaze.
长沙铜官窑兴起较晚，但发展迅猛，产品覆盖面广，不但畅销于国内，而且远销东亚、南亚、西亚地区，最远抵达东北部非洲，被誉为第一个外销型瓷窑，将异域文化元素融入产品是长沙铜官窑掘得海外第一桶金的秘诀。当时只有长沙铜官窑根据国外市场需求而设计、制作、包装(装饰)产品。唐代海上陶瓷之路的开辟，长沙铜官窑可谓功不可没。
Changsha Tongguan Kiln rose later, but its rapid development has a wide range of products. It is not only popular in China, but also exported to East Asia, South Asia, and West Asia. It has reached the northeastern Africa and is known as the first export-oriented porcelain kiln. Integrating exotic cultural elements into products is the secret of the first overseas gold mine in Changsha Tongguan Kiln. At that time, only Changsha Tongguan Kiln designed, produced, and packaged(decorated) products according to the needs of foreign markets. The opening up of the maritime ceramic road in the Tang Dynasty, Changsha Tongguan Kiln can be said to have contributed.
长沙铜官窑出土的瓷器极富艺术创造性，不仅种类繁多，而且造型别致美观，样式新颖多变。长沙铜官窑主要有釉下彩、模印粘花、刻划花、印花和镂空等装饰技法，其中以釉下彩最具特色。长沙铜官窑创造性地把绘画艺术运用到瓷器装饰上，就是将铁、铜等呈色剂掺入颜料，用笔沾上颜料直接在未烧制的瓷胎上绘饰图案，然后再覆盖上一层釉入窑烧制，通过熟练掌握窑温，使瓷器上呈现褐、绿、酱、铜红等一种或多种色彩，这就是釉下彩技术，专家们称它是"陶瓷史上的里程碑"。尤其是利用还原焰的原理，成功创烧了铜红釉瓷，更是为宋钧、元明清釉显红及祭红、郎窑红的发展打下了坚实的基础。。在长沙铜官窑红釉瓷器被发现之前，学术界一直认为宋代窑的红釉瓷器是最早的，再后来就是景德镇的釉里红，长沙铜官窑红釉瓷器的出土，不仅证明了铜红釉技术的发源地是在长沙铜官窑，而且还把其时间往前推了三百余年。已故陶瓷专家冯先铭先生在《三十年来我国陶瓷考古的收获》一书中高度评价:"长沙窑是我国釉下彩的创始地，对宋以后瓷窑有极大的影响……，为天下第一，也不过份。"
The porcelain unearthed in Changsha Tongguan Kiln is very creative in art. It not only has many kinds, but also has unique and beautiful shapes and new and changeable styles. Changsha Tongguan Kiln mainly has underglaze color, mold printing sticky flowers, carved flowers, prints and hollow decoration techniques, among which underglaze color is the most distinctive. Changsha Tongguan Kiln creatively applied the art of painting to porcelain decoration, that is, adding iron, copper, and other colorants into the pigment, using the pen to paint the pattern directly on the unburned porcelain tire, and then covering it with a layer of glaze. Into the kiln firing system, By mastering the kiln temperature, the porcelain presents one or more colors such as brown, green, sauce, and copper. This is the underglaze color technology. Experts call it "a milestone in the history of ceramics." In particular, using the principle of reducing flame, the successful burning of copper and red glazed porcelain has laid a solid foundation for the development of Songjun, the Ming and Qing dynasties, and the Red Sacrifice and Lang Kiln Red. And ... Before the discovery of Changsha Tongguan Kiln Red Glaze porcelain, the academic community had always believed that the red glaze porcelain of the Song Dynasty kiln was the earliest, and later it was the glaze red of Jingdezhen, and the unearthed red glaze porcelain of Changsha Tongguan Kiln. It not only proved that the birthplace of copper and red glaze technology was in Changsha Tongguan Kiln, but also pushed its time forward for more than 300 years. The late ceramic expert Mr. Fengxianming highly commented in the book "The Harvest of China's Ceramic Archaeology in the Past 30 Years": "Changsha Kiln is the founding place of China's underglaze color and has a great influence on the porcelain kiln after the Song Dynasty ... The first place in the world, but also not a part. "
长沙铜官窑出土的瓷器纹饰除花草、树木、鸟兽、鱼虫、人物、园林景观外，还有不少是诗文书法，这在当时是十分罕见的，可以说开创了以诗文书法来装饰瓷器的先河
In addition to flowers, trees, birds, beasts, fish and insects, characters, and garden landscapes, there are many poems and calligraphy. This was very rare at that time. It can be said that it created a precedent for the decoration of porcelain with poetry and calligraphy.
此藏品是出自明代中期。通高49cm,口径10.5cm,底径14.5cm,瓷器外形俊秀，线条优美，比例协调，釉层均匀，富有质感，双兽环耳，瓶身的主体正面纹饰是花中君子菊花，用笔精致，笔笔到位，色艳而不俗,清逸艳丽，令许多艺术大师叹为观止。反面陶渊明；采菊东篱下，悠然见南山，其字迹刚劲潇洒，是极其难得的陈设精品 ，非常适合收藏和投资，具有相当高的收藏价值。
This collection is from the middle of the Ming Dynasty. Pass height 49cm, diameter 10.5 cm, bottom diameter 14.5 cm, porcelain shape beautiful, soft lines, proportion coordination, uniform glaze layer, rich texture, double beast ring ears, bottle body's main front decoration is a gentleman chrysanthemum, exquisite pen, pen in place, colorful and good, Beautiful and elegant, many art masters are amazed. Tao Yuanming on the opposite side; Under the hedgerow of Kikuchi, see Nanshan leisurely, its handwriting is bold and elegant, is an extremely rare collection of fine products, very suitable for collection and investment, with a very high collection value.
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