该项目集结了来自世界各地的设计师，Riley从超现实主义游戏中汲取灵感。Exquisite Corpse. Cadavre Exquis是风靡全法国的游戏，其中有着诸多由设计师精心设计而成的画面场景，他们在设计时并没有相互参考，然后图像就由这些看上去并不匹配的部分组成，共同形成了有趣的构图组合。在Riley的指导下，每位参与建筑师都有着个人负责的部分，他们的设计思路完全自由。最终的设计成果组合起来，就是Exquisite Corpse游戏的建筑版。
Bringing together these designers from around the world, Riley drew inspiration from the surrealist parlor game, Exquisite Corpse. Cadavre Exquis, as the game is known in French, involved a collection of images assembled by various artists with no regard or knowledge of what the other artists have drawn, producing one image whose components don’t necessarily match but flow together as one playful composition. Under Riley’s direction, each participating architect was eventually assigned an area and depth to build out and given free reign to create fully individual designs. The result is a unique modern, architectural version of the Exquisite Corpse.
纽约事务所WORKac的方案Ant Farm位于设计区的1号大道和41号大道，其作品呼应了柏林事务所J.MAYER.H的作品，WORKac的立面设计名为“Ant Farm”面向1号大道，表达了与城市、可持续理念、艺术、音乐以及景观的互动。如同蚂蚁聚集的人类活动展示中，陈列着众多迷你公共空间，例如花园、图书馆、艺术空间、游乐场，这些流动空间都位于穿孔金属面板的后方，抑或出现，抑或消失，形成视觉上的对比与光影感受。建筑立面XOX（Hugs and Kisses）由J.MAYER.H设计，设计方案由大型联锁图案组成，位于Workac设计的立面一侧的角落中，XOX沿着41号大道向西延伸，其形式较为神秘，有着条纹形态与斑斓的色彩，由此唤起自动化设计的意向，其整体看上去就如同漂浮在下侧人行道上方一般。包裹着金属面板的小型体量在夜晚的灯光下熠熠生辉。作品Serious Play则由Nicolas Buffe设计完成。
Ant Farm by WORKac At the corner of NE 1st Avenue and NE 41st Street in the Design District, the work of the New York firm WORKac meets that of Berlin-based J.MAYER.H. WORKac’s façade - titled Ant Farm – faces 1st Avenue and celebrates social interaction, sustainability, art, music, and the landscape. In an ant colony-inspired display of human activity, miniaturized public spaces - a garden, a lending library, art space, and playground - and their connecting circulation spaces appear and disappear behind a perforated metal screen that provides visual contrast, shade, and protection.Hugs and Kisses by J.MAYER.H. J.MAYER.H’S façade – titled XOX (Hugs and Kisses) – appears as gigantic interlocking puzzle pieces that nestle at the corner with the forms of Workac’s façade. XOX then extends westward from the corner along 41st Street. XOX’s enigmatic forms, emblazoned with striping and bright colors, recall the aerodynamic forms of automotive design and appear to float above the sidewalk below. Smaller volumes, covered in metal screens project outward and are activated with embedded light at night. Serious Play by Nicolas Buffe.
沿着41号大道的下一个立面则是车库的出入口，这件作品由出生于法国、居住在日本的艺术家Nicolas Buffe设计完成，艺术家运用了深色穿孔金属面板。该立面结合了多种2D与3D元素，这些构件都由金属纤维树脂塑料经过激光切割制作而成。在地面层，高23英尺的全画幅3D立体雕塑位于车库的出入口上方，其构图形式表达了Buffe童年时期对于游戏和动漫的热情，因此整个作品便将动画、特摄、漫画集结于一体，其中甚至还拥有巴洛克和洛可可的影子。
The next façade along 41st Street serves as the entrance and exit of the garage. It is the work of Nicolas Buffe - a Frenchborn artist living in Japan - and is constructed with a dark perforated metal backdrop. The façade features a variety of diverse 2D and 3D elements crafted from laser- cut metals and fiber resin plastic. At street level, the façade’s features four 23-foot tall, full 3D caryatids standing astride the garage’s arched entrance and exits. Like the caryatids below, the composition above reflects Buffe’s childhood passion for video games and Japanese animation. The result is the unexpected juxtaposition of anime, tokusatsu, and manga with Buffe’s other passion – Rococo and Baroque architecture.
Urban Jam by Clavel Arquitectos. In the space between Nicolas Buffe’sfacade and that of K/R, Spanish firm Clavel Arquitectos’s Urban Jam draws from the rebirth of urban life in the Miami Design District - where old structures and discarded spaces have been revived by architectural and urban designs. Urban Jam suggestsa similar “repurposing” of very familiar elements, using 45 gravity-defying car bodies rendered in metallic giold and silver. In effect, the styles of years past gain a second life as lux sculptural objects, caught in a surreal vertical traffic jam. Barricades by K/R. Furthest west on 41st Street, just opposite the Institute of Contemporary Art, is Barricades, designed by New York- and Miami-based K/R. The design is inspired by Miami’s automotive landscape; particularly it’s ubiquitous orange- and white-striped traffic barriers. In this case, the faux-barriers are turned right side up and form a brightly colored screen. The façade has fifteen “windows” framed in mirror stainless steel, through which concrete planters pop out above the sidewalk.
建筑设计：Clavel Arquitectos, J. Mayer H, K/R, Nicolas Buffe, WORKac
地点：美国，弗罗里达州，迈阿密
J Mayer H 团队：Jürgen Mayer H.; Wilko Hoffmann; Marcus Blum; Fabrizio Silvano; Ojive De Lungeta
Clavel Arquitectos 团队：Manuel Clavel Rojo, Luis Clavel Sainz
K/R 团队：Terence Riley; Gustavo Mur; Ethan Royal; Kevin McAlarnen
项目时间：2018年
摄影：Imagen Subliminal
项目负责人 (Clavel Arquitectos)：Rafael de Giles González
合作方 (Clavel Arquitectos)：Ricardo Carcelén González Ramón Gómez Ruiz Adrián Riquelme Martínez Mariano Tomás Fuster Diego Victoria García David Hernández Conesa
立面灯光设计：Speirs + Major, TK Project Manager.
立面设计工程：mTim Haahs, Project Manager Javier Fernandez.
立面金属部分 / 工程、制造、安装：Zahner of Kansas City, MO., TK Project Manager.
立面纤维树脂部分（Buffe立面与Clavel立面）：Entech Innovative of Rockledge, FL. TK Project Manager.
现浇混凝土结构：KVC Constructors of Miami, FL. TK Project Manager.
客户：Dacra and LVMH
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