明清時期銅手爐的名款，主要是這幾個名匠：“張鳴岐制”“潘鳳祥制”“胡文明造”。字款大多在爐底正中處，鏨刻而成。字體是陰刻小篆體，真品字體，遒勁自然，圓滑灑脫，刻工顯得遊刃有餘。仿品字體刻板，粗糙，僵呆，淺浮，疲軟。
In Ming and qing dynasties, the famous copper hand stove money, mainly these several famous carpenter: "zhang mingqi system" "pan fengxiang system" "hu civilization made". Words are mostly in the middle of the bottom of the furnace, chisel from. The font is a small seal, genuine font, strong and natural, smooth and free, carving work appears to be more than enough. Imitation font rigid, rough, rigid, shallow floating, weak.
在上面幾種名款中，“張鳴岐制”字款的銅手爐較常見，可見張鳴岐的名頭，比其他人的名頭響亮。
In above a few kinds of famous money, "zhang mingqi makes" the copper hand stove of word money is more common, visible zhang mingqi's name, than other people's name is loud.
張鳴岐是明代晚期，浙江嘉興人。他製作銅爐可與當時時大彬的紫砂壺媲美，當時就有“大彬壺，鳴岐爐”的美譽。
Zhang mingqi was a native of jiaxing, zhejiang province in the late Ming dynasty. His production of copper furnace can be compared with the then big bin of purple clay pot, then "big bin pot, Ming qi furnace" reputation.
明清時期，名家制作的銅手爐，大多用的是材質純淨的水紅銅和紫紅銅。好的銅手爐，一定是好工製作，其紋飾工藝普通的銅材無法做成，只有好的材質，塑性才好。清代中晚期以後，許多銅爐都是仿造明代名爐，由於材質的限制，用的大多是黃銅和白銅，加上匠人的工藝水平低，所以清代中晚期以後仿造的銅爐，工藝粗糙，器形不規整。爐蓋和爐身，結合不緊湊，間隙大。
During the Ming and qing dynasties, copper hand stoves made by famous artists were mostly made of pure water copper and purple copper. Good copper hand stove, must be a good production, its decorative technology of ordinary copper can not be made, only good material, plastic just good. After the middle and late qing dynasty, many copper furnaces are imitation Ming dynasty furnace, as a result of the limitation of the material, with mostly brass and white copper, plus the craftsmen's craft level is low, so the late and middle qing dynasty after the imitation of copper furnace, rough craft, shape is not neat. Furnace cover and furnace body, not compact, large gap.
圖中所示為張鳴岐製做的銅手爐，長8.5釐米，寬7.5釐米，高6釐米，其製作用錘打工藝，捶打而成，手工打磨的不亞於機械拋光，用手摸之，使人感到細膩，滋潤有玉質感。胎體厚重，上手有明顯的壓手感，可爐蓋又特別的薄，爐蓋和爐身嚴絲合縫，天然自成。爐蓋上的鏨刻工藝，非常精緻，鏨刻的紋飾精美細膩，美侖美奐，是難得一求的稀世珍品
The copper hand stove made by zhang mingqi is shown in the picture, 8.5 cm long, 7.5 cm wide and 6 cm high. It is made by hammering and beating. The hand polishing is no less than the mechanical polishing. The body is heavy, the hand has the obvious pressure feel, but the furnace cover is special thin, the furnace cover and the furnace body close joint, natural. The chisel carving process on the furnace cover is very delicate, and the chisel carving patterns are exquisite and exquisite. It is a rare rarity
珍稀難得的銅手爐，其紋飾也非常稀少。明代銅手爐的紋飾，主要體現在爐蓋上，有花卉植物，也有幾何圖案，還有文字，紋飾精細，疏朗。明代銅手爐的紋飾，除了爐蓋上流行，爐身上紋飾較少，人物山水和動物的紋飾也比清代少。清代銅手爐較流行滿器紋飾，紋飾顯得繁縟細密，除了流行花卉植物，幾何圖案，文字紋飾外，還較流行山水人物，瑞獸紋飾。
Rare rare copper hand stove, its decoration is also very rare. The decoration of the bronze hand stove in Ming dynasty is mainly reflected in the lid of the furnace. There are flowers and plants, and geometric patterns, as well as characters. The decoration of copper hand stove in Ming dynasty is less than that of qing dynasty. Qing dynasty copper hand stove is more popular full implement grain is acted the role of, grain is acted the role of appears overelaborate and detailed, besides popular flower plant, geometrical design, character grain is acted the role of, still more popular landscape character, auspicious beast grain is acted the role of.
明代銅手爐，由於材質是紅銅和紫銅，所以幾百年的使用後，其包漿顏色錚亮油光，泛紫紅和紅黃，漆黑色;清代銅手爐，材質用的是黃銅和白銅，其包漿顯得乾澀，沒有油亮感。清代銅手爐包漿顏色，明顯不是明代銅手爐材質的包漿。
Ming dynasty copper hand stove, because the material is red copper and red copper, so after hundreds of years of use, its coating color shining oil, purple and red yellow, black paint; Qing dynasty copper hand stove, the material is brass and copper, its paste appears dry, no oily feeling. The color of the copper hand furnace in qing dynasty is obviously not that of the copper hand furnace in Ming dynasty.
明代名家制作的工藝好的銅手爐，有的價格已經超過百萬了，那是凝聚古代工藝大師一身心血的精品，也是我國藝術寶庫中不可多得的瑰寶，需要收藏的人，去認識它，瞭解它，珍惜它。
The craft good copper hand stove that Ming dynasty master makes, some price already exceeded a million, it is the high-quality goods that condenses ancient craft master a whole body painstaking effort, also be the rare treasure in our country art treasure house, the person that needs to collect, know it, understand it, cherish it.
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