由Formosa AA設計的捷克館位於2020年迪拜世博會的可持續發展區，是一個探索之旅。
提出沙漠化栽培的問題，對S.A.W.E.R.植物栽培系統進行了整合和展示。可見技術構成了展館的主要形式和視覺組成部分。
Located in the sustainability zone of EXPO 2020 Dubai, the Czech pavilion, designed by Formosa AA, is an invitation for discovery. Raising questions concerning desert cultivation, it integrates and exposes the S.A.W.E.R. system cultivation plant. Visible technologies form the main formal and visual components of the pavilion.
捷克館由四個體量組成，採用鋼架系統，形成了物體的框架，捷克館以“從開墾沙漠的花園中生長出來的鋸狀雲結構”來吸引了遊客的注意力。
選用玻璃纖維增強塑料（GFRP）作為覆蓋層，其選擇的原因是耐氣候影響和可持續性特點。
Consisting of four volumes using a steel frame system, forming the framework of the object, the Czech pavilion draws the attention of the visitors with its “Sawer cloud structure that grows out from the garden at the place of the cultivated desert”. Covered with Glass Fibre Reinforced Plastics (GFRP), the material was selected for its resistance to climatic influences and its sustainability characteristics.
該概念指的是S.A.W.E.R.系統是展館的核心和技術核心。它在許多層面上表現出來的實質是轉化。
它使空氣在水中流動，把乾旱的沙漠變成了鮮花盛開的花園，也改變了人們對捷克共和國的態度。
這種轉化潛能的必然條件相當複雜的系統貫穿整個對象。——Formosa AA
The concept refers to the substance of the S.A.W.E.R. system as the heart and technological core of the pavilion. Its substance that is manifested on many levels is transformation. It turns air in water, arid desert in a flowering garden and it also changes the way people perceive the Czech Republic. An inevitable condition of such transformation potential is a considerable complexity of the system that grows through the whole object. -- Formosa AA
入口空間是一個將自然與技術，光與水相互連接的綠洲。
這個區域圍繞著一個由S.a.W.E.R.系統和一個名為Lasvit的照明設備產生的水供應的彈簧旋轉。裝置周圍的坡道產生了展覽區和畫廊。
實際上，“展館有機體的生命之源是水，它滲透並統一了所有部分，從被灌溉的花園到由其灌溉的泉源，一直到被其啟發而形成的有機雲狀形式” 。
The entrance space holds an oasis that interconnects nature and technology, light and water. This zone revolves around a spring that is fed with water produced by the S.A.W.E.R. system and a lighting installation entitled Lasvit. The ramp around the installation generates exhibition areas and galleries. In fact, “the lifeblood of the pavilion organism is water that penetrates and unifies all its parts starting with the garden that is irrigated by it to a spring that is fed by it up to an organic form of a cloud that is inspired by it”.
展館的主旨符合連接思想的原則，展館用作一個網絡接口，可從其中以任何方式瀏覽內容。作為結構的功能概念，此結構使單向通道最小化。
與中央空間相連的餐廳也可以連接到花園或多媒體會議廳。實際上，所有場所都可以組合成直接連接到相鄰廣場的獨立單元。
從花園開始或離開，都將接觸到“系統原型，將其作為一個封閉的移動式集裝箱形式滲透到整個展館中，它有可能改變沙漠地區的生活”。
The pavilion configuration supports the principle of connecting minds as the pavilion works as a network interface from where the content may be browsed in any way whatsoever”. A functional concept of the structure, this configuration minimizes single-direction passage. The restaurant, attached to the central space, can also be linked to the garden or to a multimedia conference hall. In fact, all premises may be combined in a single unit directly attached to an adjacent plaza. Starting and exiting from the garden, the visitor is exposed to a “prototype of the system permeating the entire pavilion as a mobile container enclosed version, a product that has the potential to change life in desert areas”.
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