用刀尖入水 / 用顯微鏡看雪
就算反覆如此 / 還是忍不住問一問你數過天上的星星嗎 ?
它們和小鳥一樣 / 總在我胸口跳傘
Enter water with the tip of a knife / Look at snow with a microscope
Even if I do this over and over again / I still can’t help asking if you have counted the stars in the sky?
They, like birds, / always jump out of my chest
《地球最後的夜晚》像詩一樣，帶著大家踉踉蹌蹌地走進一場酣暢淋漓的夢境，縱然夢醒依舊雋永流深。當然，也有一些朋友表示看不懂，其實影片無非在傳達三個東西：意象、主題、意義不明的鏡頭。細細琢磨，設計不也如此？
Like a poem, Long Day’s Journey into Night takes us staggering into an enjoyable dream and deeply impresses everyone even when we wake up. Naturally, some friends said they couldn’t understand, but actually the film conveys nothing but three things: images, theme, and equivocal scenes. Think about it, and isn’t it as same as design?
說感知 °
About Perception °
所有的創作實際都是在表達一種語境。電影以小處見長不動聲色的拍攝手法去凝視，它的特別之處並不在於故事，而是一種感覺，氛圍，和情緒；設計想要帶給大家的與電影極其相似–浸入式體驗和感知。
All creations actually express a context. The film is good at shooting details in a quiet way and features a feeling, atmosphere and emotion more than the story; what the design wants to bring is very similar to the film — immersive experience and perception.
過道的空間尺度刻意收窄，靜謐、冷峻的氣息迎面而來，迅速將人挾裹其中，讓人即可感覺到空間的震懾力與儀式感！
The spatial size of the corridor is intentionally narrowed, and a quiet and calm atmosphere comes on, quickly bathing you and impressing you with the awe and solemnity of space!
隨著深入，面與面交疊產生的空間立體感，在燈光的渲染下，產生特定的節奏和韻律，形散卻意聚、曖昧卻有力，滲透出寫意之感。
As going further, you can feel a three-dimensional spatial sense generated by the overlapping of surfaces which produces a specific cadence and rhythm under the rendering of lights, loose in form but terse in essence, ambiguous but powerful, with an abstract sense permeating.
天氣好的時候，光束犀利地入侵黑白空間，產生欲說還休的“曖昧”關係。置身其中，人會不由自主先沉浸幾分鐘，聽空間訴說，然後跟它對話。最終，能找到一種東西，感受到它，並相信它。
In a sunny day, the light beam sharply invades the black and white space, creating an unspoken “ambiguous” relationship. In it, you can’t help but immerse yourself for a few minutes, listening to the space, and then talk to it. Finally, you will find something; feel it, and believe it.
人為本 °
People Orientation °
影片被冠以文藝的標籤，認為它是詩的、幻想的、刻意的，其實相反地，它是寫實的，心理寫實。這也是我們想分享的第二部分。
The film is labeled literary and artistic, which is, as someone thinks, poetic, fantastic, and deliberate, but in fact, it is realistic, especially psychologically realistic. This is the second part we want to share with you.
作為辦公和展廳雙重屬性，滿足空間的功能需求是不可須臾或缺的。辦公區和洽談區享受最好的採光面；利用簡練的線條打造純粹的展廳，為衣服做適當的映襯；靈活的桌椅為團隊活動提供可能… 諸如此類的細節都是設計的基礎。
It is indispensable at any time to meet the functional requirements in terms of space for a building serving as both office and exhibition hall. The office area and hospitality area enjoy the best lighting surfaces; the exhibition hall is pure and simple with plain lines as a background of clothing; the desks and chairs are flexibly arranged, providing possibility for team activities…such details are the basis of design.
撇開這些，不禁問自己，還能為人帶來什麼？
Apart from these, we can’t help asking ourselves: what else can we bring?
“每個人都是焦點”，這是我們最想呈現的。各個空間之間的關係和比例被反覆推究，將形式上的象徵和美學因素，與來自個人經驗的想象結合在一起，營造純粹的空間氛圍，行走其中，可以是一個對自我認知與接納的過程，也可以如同T臺一般，暢快地表達自我。
“Everyone is the focus” is what we want to present most. The relationship and proportion among the spaces are repeatedly studied. The symbolic and aesthetic factors in form are combined with the imagination from personal experience to create a pure space atmosphere. Walking in them can be a process of self-recognition and acceptance, or a process of freely expressing yourself just as walking on a T stage.
好電影的共同特徵就是劇情特別精彩，有明顯的戲劇衝突。設計，如是。
The common feature of good films is that the plot is particularly exciting and there are obvious dramatic conflicts. The same is true for design.
黑白撞色帶來的衝突，形成一種張力美感，相比同色系的層次更豐富，魅惑。倘若搭配小面積性感的紅或綠意，足以打造驚豔之感，形成視覺和心理上的雙重衝擊。
The conflict caused by black and white color contrast forms an aesthetic feeling of tension, which is richer and more charming than that of the same color system. If matched with small sexy red or green areas, it is enough to create a sense of gorgeousness and form a double impact visually and psychologically.
在總裁辦公室添加了黑白以外的、極強包容性的灰調，同時融入同樣低飽和度色彩的布藝和陳設等作點綴，空間滲入嚴謹、細膩、典雅的特質，又是另一種感官體驗。
The president’s office is provided with, besides black and white, a highly inclusive color tone – grey, and embellished with cloth art and furnishings in the color of the same low saturation, so the space is characteristic of preciseness, exquisiteness and elegance, bringing another sensory experience.
同時，空間節奏也製造了戲劇性衝突。
In addition, the spatial rhythm also creates a dramatic conflict.
從窠臼上不難看出，整個空間宛如一棵具有頑強生命力的大樹，樹幹般的通道緩緩延伸，在純粹的過渡之後，迎來形態各異的“茂葉與碩果”–炙熱的轉折與劇情的高潮。
It is not difficult to see from the nest that the whole space is like a big tree with strong vitality, and the trunk-like passage extends slowly. After a pure transition, it ushers in the “lush leaves and fruits” – the fervent turn and the climax of the plot.
通過這樣平鋪直敘和跌宕起伏之間的熟稔轉換，製造撲朔迷離的戲劇效果，最終賦予空間飽滿的記憶點。
Through such flexible transition between straightforward narration and plot twists and turns, we can create a confusing dramatic effect and finally give full memory to the space.
無論電影還是設計，都是一個載體，通過視覺或空間去串聯起某種關係，產生一些情感共鳴，直指本心，挖掘無以名狀的渴望。
Whether it is film or design, it is a carrier that, through vision or space, connects a certain relationship, produces some emotional resonance, points directly to the real intention, and taps the indescribable desire.
平面圖
剖透視圖
項目信息——
項目名稱：富力中心品質服裝辦公&展廳
項目面積：約500平米
完工時間：2019年11月
設計公司：大成設計
設計總監 ：林開新
設計團隊：林開新、胡晨媛、韓豔香
主要材料：塗料、鋼板、水磨石磚、木皮
Information of Project——
Project Name: R & F Center — Clothing Office & Exhibiting Hall
Floor Area: about 500 sqm
Completion Time: November 2019
Design Company: DC Design
Design Director: LIN Kaixin
Design Team: LIN Kaixin, HU Chenyuan, HAN Yanxiang
Main Materials: Paint, Steel Plate,Terrazzo Brick, Veneer
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