这枚民国三年双面合背袁大头，无面值，是当年造币厂的错版币，也有人说是戏作币。清末和民国初期，造币工厂的生产任务并不饱满，生产时续时停，加上厂里的管理制度不严，有些职工在停工时戏作了一些银币，用不同的钢模正背二面合成另一种异品银币。或用同一种正面银模合成异品银币，这种民国三年的袁大头，正背二面都是头像，就是用正面钢模合成的。戏作品银币制造量稀少、制作精美又是从国家造币厂生产出来的，并与其它钱币同样在社会上流通，所以，此种币属于真币，在市场比较难得的一件藏品。
This coin, with no face value, was the wrong version of the coin made by the mint in the three years of the Republic of China. It was also said to be a play coin. At the end of Qing Dynasty and the beginning of Republic of China, the production task of the Mint was not full, the production stopped and stopped, and the management system in the Mint was not strict. Some workers made some silver coins when they stopped work, and synthesized another kind of different silver coins with different steel molds. Or use the same obverse silver mold to synthesize different silver coins. This kind of yuan Datou in the three years of the Republic of China, whose obverse and back are both heads, is made of steel mold. The production of silver coins in drama works is rare and exquisite, and they are produced from the national mint, and they are also circulated in the society as other coins. Therefore, this kind of coins belongs to real coins, which is a rare collection in the market.
此钱币包浆凝重纯真，熟坑浆相，包浆黝黑，浆质坚实不糟，分布深浅不等，凸显自然。银色更是熟旧滋润，老相凸显，无异无邪。此等铸相实乃官炉出品无疑，铸相一眼开门。其书体，书意舒展脱俗，笔划有力，横直竖立，撇见刀而折见锋，布局协调规矩，俊朗之书相显而易见。
This coin has a thick and pure paste, which is in the phase of mature pit pulp. The paste is dark, solid and not bad. It is distributed in different depths and highlights the nature. The silver color is ripe, old and moist, and the old look is prominent. This kind of cast phase is actually produced by the official furnace, and the cast phase opens at a glance. The style of the book is free from vulgarity, with strong strokes, standing vertically and horizontally. It is easy to see the edge without a knife. The layout is in harmony with the rules. The handsome book looks obvious.
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