艾国中国山水画风格介绍
艾国先生，1966年生于北京，自幼喜好书画，专攻中国山水画，取法清代王原祁、渐江、髡残，明代董其昌等诸家，得到多位国内一流名家教授，曾在北京画院、中国国家画院学习，长期在中国内地写生游历，曾独居山区静心创作，后致力于山水画的学术研究和中国画教育事业，在中国著名大学如清华大学，中国人民大学、河北经贸大学等艺术类学院教授课程，被专业画院聘请为研究员。作品追求传统精神理念，并有独特的自我面貌，于近年在继承宋代郭熙“三远法”图式的基础上，根据工业、科技时代的特征，提出和创立了中国山水画“俯远法”新图式，填补了中国画俯视角度空间上的空白，使山水画经营图式，从五代时期荆浩、关仝的“全景式”到北宋郭熙的“三远式”，南宋李唐的“近景式”至马远、夏圭的“局部式”，再到当代的“俯远式”，得到了全方位的完善和发展。艾国先生的主题作品在业内具有很深的影响，并著有多篇论文问世。
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中国山水画表达的是一种觉悟文化，“澄怀观道”自古就是品鉴的标准，画品高低取决于做人、见道的深浅，艾国先生日常着力于佛学经典研究，并身体力行，生活朴素，吃素二十余年，不穿戴使用皮类物品，热衷公益，学术立足，修于悟道的心境，融于书画的品格。其作品是静的、空灵的，平和的。他尽量把一切做到单纯，舍掉一切夹杂，不做任何修饰和花巧，只留下中国画特有的标志，点、线，以随心的节奏，应物象形的显露出物象的若即若离，即有即无的状态，不营造黝黑似的所谓厚重，不求形体的清楚和结实。赋彩很淡，勾勒平涂，并使用自然的两三种主色，不故意调和特别的色彩来讨好观者，色与色、墨与墨、色墨接近，以致到分不清的程度，浑然一体而各得自在。经营位置上不做高耸挺拔的物象，山势平缓，水路无奇，“三远”结合而另加“俯远”，不做大的空间层次，不做大面的泼墨晕染营造气氛，山水皆来自于平实的自然造化，而各个因素统一在绵和的用笔之中，自心流出，使得画面内敛无张，静心祥和。他的用笔是高古游丝，线路、线条，盘旋起伏、循环回转，笔墨是笔笔到位，用墨是清朗幽明，画面既写意又写实，把所有的笔墨拆开来看，笔墨元素是抽象的，表达的物象是具体的，抽象和具象的结合是最难做到的，这在艾国先生的作品里得到了有机的结合，体现了中国画新的特质,在保留纯正的民族传统特征上又走出了可喜的一步。
好的中国绘画视觉上是祥和平静的，它会使观者的心沉淀下来，放下一切染著烦恼，感受到自然的无限清凉，体会到物我的交融安乐，最后进入“大自在”的精神境界。一切都是平常的，气韵平常，用笔平常，应物平常，赋彩平常，位置平常，传模平常，“平常心是道”，这也是中国山水画的最高境界。
艾国先生的绘画力求如斯，人格力求如斯。
Introduction to Chinese Landscape Painting Style of AiGuo
Mr AiGuo was born in 1966 in Beijing. He likes painting and calligraphy since childhood, specializing in Chinese landscape painting. He imitated the WangYuanqi, JianJiang, KunCan of the Qing dynasty and DongQichang of the Ming dynasty and so on others. He was taught by many first-class professors in China. He studied in Beijing Painting Academy and China National Painting Academy. Mr AiGuo has been painting in mainland China for a long time. He once lived alone in a mountainous area and composed quietly. After that, he devoted himself to the academic research of landscape painting education of Chinese painting. He taught courses in famous Chinese universities such as Tsinghua university, Renmin university of China, Hebei University of Economics and Business and other art schools. And he was hired as a researcher by the professional painting academy. Mr AiGuo's works pursue traditional spiritual ideas, and has a unique look of self. In recent years, Mr AiGuo inherited GuoXi of the Song dynasty on the basis of the "three far" schema, according to the characteristics of industrial and technological times, put forward and founded the new schema about Chinese landscape painting "leaning far method" to fill the gaps in Chinese painting overlooking the angle on the space. Which made the landscape management pattern.From "panoramic" of JingHao and GuanTong in the five dynasties period to Guo xi's "three-distance style" in the northern Song dynasty " , and the "close-up style" of LiTang in the Southern Song dynasty to the "local style" of MaYuan and Xia Gui, and then to the contemporary "far-reaching style", got a full range of perfect and development. Mr AiGuo's subject works in the industry has a deep impact, and published a number of papers.
Chinese landscape painting expresses a kind of consciousness culture. "chenghuai guan dao" has been the standard of appreciation since ancient times. The height of painting depends on the man, the depth of experience. In the daily life, Mr AiGuo devoted himself to the study of Buddhist classics, and practiced himself, living a simple life and eating vegetarian food for more than 20 years. He does not wear or use leather goods. He is passionate about the public good and has a foothold in academic studies, and practices his mind of enlightenment and integrates his character of calligraphy and painting. His works are still, ethereal and peaceful. He try to do everything simple, lay down all inclusions, don't do any modification and skill, leaving only a sign of Chinese painting unique, point and line to the rhythm of the heart, use object image shows vague, like with and without the status of the doesn't create a dark heavy, not to clear and strong physique. Color is very light, outline flat painted, and the use of natural two or three main colors, do not deliberately reconcile the special color to please the audience, color and ink use is close to the degree of indistinctness, one integrated whole and each get comfortable. Business location does not do tall and straight image, the mountain gentle, no strange waterways, "three far" combined with the addition of "bending far look". Do not do a large space level, do not do a large splash ink muddle to create an atmosphere, landscape are from the natural nature of the smooth, and each factor unified in the continuous creative skills, from the heart flow, making the picture implicit not publicity, calm and peaceful. His creative skills is ancient balance spring, the line and circle line ups and downs, circulation and every stroke of ink is just right. The eden is clear focuses . The picture is both enjoyable and realism, unwrapped all the ink and the ink element is abstract. The expression of object is concrete . The combination of abstract and concrete is the most difficult, which in works of Mr AiGuo got organic union, embodies the Chinese painting new traits, happily on preserve the traditional characteristics of pure, worthy of joy.
A good Chinese painting is visually peaceful and quiet. It will make the heart of the viewer settle down, let go of all the dyed troubles, feel the infinite coolness of nature, feel the harmony between the object and himself. Finally enter the spiritual realm of "great freedom". Everything is ordinary, the charm is ordinary, the creation technique is ordinary, the matter is ordinary, the colour is ordinary, the position is ordinary, the transmission model is ordinary, "Ordinary mind is the principle of doing things". This is also the highest state of Chinese landscape painting.
This is what Mr AiGuo's painting pursues, as well as his personality. /<code>
艾国在山西阳泉写生，2018年
艾国
北京市人，1966年生
2015年清华美院书画艺术创作高研班艾国写生专项课程导师（主讲）
2015年中国人民大学继续教育学院研究员、范扬博导工作室执行导师
2014年荣宝斋画院名家工作室执行导师
河北经贸大学艺术学院教授
黑龙江省画院研究员
中国画俯远法课题创研人
中国美术家协会会员
今日鉴藏美术馆艺术顾问
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