此瓶通体纹饰以釉下青花勾勒，釉上覆绘红、黄、绿、紫等多种彩色，整个画面既有柔和淡雅之色调，又有艳丽纷繁之色彩。此外，此瓶的题材与画风受宋院体画影响，以生活中常见的生活小景入画，表现出成化皇帝的生活愿望与艺术审美。而且从底部看且为皇上御赐之物更加尤为难得。The whole body of the bottle is outlined by glazed blue and white, and the glaze is painted with red, yellow, green and purple colors. The whole picture has soft and elegant colors and colorful colors. In addition, the theme and style of this bottle were influenced by the body paintings of the Song Dynasty, and the paintings of the life scenes were common, showing the life wishes and artistic aesthetics of the Chenghua Emperor. And it is even more rare to see from the bottom and for the imperial concubine.
斗彩始于明宣德，但实物罕见。成化时期的斗彩最受推崇，文献中也称之为成"窑彩"或 "青花间装五色"。传世成化斗彩瓷器图案绘画简练，内容主要是花鸟、人物。它的做法是先用青花在白色瓷胎上勾勒出所绘图案的轮廓线，罩釉高温烧成后，再在釉上按图案的不同部位，根据所需填人不同的彩色，一般是3至5种，最后入彩炉低温烧成。Bucket began in Ming Xuande, but the object is rare. In the Chenghua period, Dou Cai was most admired, and the literature also referred to as "kiln color" or "blue and white". The hand-painted Chenghua Douhua porcelain pattern painting is concise, and the content is mainly flowers, birds and figures. The method is to first outline the outline of the painted pattern on the white porcelain tire with blue and white. After the high temperature of the glaze is fired, the different parts of the pattern on the glaze are filled according to the different colors required, generally 3 to 5 kinds, and finally into the color furnace to burn at low temperature.
郎窑红，是中国名贵铜红釉中色彩最鲜艳的一种，它的特点是:色彩绚丽，红艳鲜明，且具有一种强烈的玻璃光泽 。由于釉汁厚，在高温下产生流淌，所以成品的郎红往往于口沿露出白胎，呈现出旋状白线，俗称" 灯草边 "。郎窑红底部边缘釉汁流垂凝聚，近于黑红色。为了流釉不过底足，工匠用刮刀在圈足外侧刮出一个二层台 ，阻挡流釉淌下来，这是郎窑红瓷器制作过程中一个独特的技法，世有"脱口垂足郎不流"之称。Lang Yaohong is one of the most vivid colors in China's precious copper red glaze. It is characterized by beautiful colors, bright red and bright, and a strong glass luster. Because the glaze is thick and produces runny at high temperatures, the finished lang red often reveals white tires along the mouth, showing a spiral white line, commonly known as "light grass edge." The glaze of the bottom edge of the kiln red is condensed and condensed, close to black and red. In order to flow the glaze, the craftsman used a scraper to scrape a two-story table on the outside of the circle to block the flow of the glaze. This is a unique technique in the process of making the kiln red porcelain, and the world has "disguised." "The name."
这件郎窑红瓶釉凝厚，玻璃感强，佳品呈鲜红色。铜红釉中较鲜艳，其釉面光洁透亮，有玻璃质感，开纹片并有牛毛纹，釉色深浅不一，色淡者暗褐。是胎骨洁白细密而坚硬，比较敦实，手感极好，大件作品相当厚重，精巧玲珑的薄胎作品较少，足底露胎处有火石红，是器身红釉与足端露胎处有一条白色线，是修足有平切式、里收外斜削的二层台式，均为到代郎窑红之特点。This Langyao red bottle has a thick glaze, strong glass, and the product is bright red. The copper red glaze is more vivid, the glazed surface is smooth and translucent, and has a glass texture. The open embossed piece has a cow hair pattern, and the glaze color is different in depth, and the color is dark brown. The fetal bone is white and fine and hard, relatively compact, and feels very good. The large pieces are quite heavy, and the delicate and delicate thin tires are few works. The soles of the feet have flint red, which is the body red glaze and the foot end. There is a white line, which is a two-story table with a flat cut and a slanted outer cut.
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