“我願深深扎入生活，吮盡生活的骨髓，把一切不屬於生活的內容剔除得乾淨利落。 ”
"I would like to be deeply involved in life, to make the bones of life, and to remove everything that is not part of life."
梭羅在《瓦爾登湖》中對生活的審視，才是真相。
This is the truth of life that Thoreau mentioned in Walden.
陽春白雪不過是精加工的調味劑，吃多了味覺會麻木。就如同當今家宅設計中，趨同的精細化追求，使人乏味。因而，如何找到“迴歸本心的感動”，成為當下設計凾待突破的一大難點。
If a well-cooked cuisine added way too much condiment, it tastes numb after several tries. Just like the interior design nowadays, refined similarity makes it tasteless and bland. Finding the “heartbottom” touch is one of the design break point that we are looking for.
孫文設計事務打造的旭輝宸宇府剝離形式主義的外殼，將“人的體驗和觀感”作為切入點，以產品的全局性思維把控空間，挖掘人最原始的心理層面，讓身心與空間產生真正的對話。
The Xuhui Polaris Mansion model house created by S.U.N Design takes personal experience and visual impression as the point cut to consider the overall space. By looking into the most primitive part of inner body, the design talks between mind and space.
取“圍爐夜話”的意象作為貫穿整個設計的主題，是為了滿足人對溫暖最本能的渴望。客廳以大面積的灰色調鋪陳敘事，為傳統性質的樣板空間注入沉靜而撫慰人心的力量。
Warmness is one of people’s most instinctive desires. Taken “Fireside Talk” as the design concept, the living room uses grey color tone just like a calm and peaceful story background.
牆上的現代都市風格畫作，來自德國藝術家格哈德•裡希特。他的“無主題藝術”，同設計師所追尋的“沒有特定風格的表達”不謀而合。
The Non-objective Art by Gerhard Richter just coincident with what the designer looking for, to express design without a particular named style.
當黑夜接替白晝，家人在爐邊圍坐，一天的疲憊自會卸去。在安寧之中，種種煩悶都會消散。
When night comes, the whole family sitsaround the fire.All kinds of exhaustion and trouble will disappear in such a peaceful and relaxing.
餐廳
與客廳連通的廚房是偌大的開敞空間。灰綠色大理石材質島臺，為空間增加了幾分細緻入微的質感。
Large open kitchen connected to the living room with gray-green marble island adds a bit of refined texture to the space.
當一縷清早的陽光灑入室內，窗外的綠植映射出欣欣向榮的生命力量，在這裡，一份溫馨的早餐預示著新一天的開啟。
When early morning sunlight shines into the room, the green plants outside the window brings thriving vitality. It was the place where a nice breakfast starts a fresh new day.
主臥
當步入三層的男女主人房，南向雙陽臺提供了更加寬廣的視野深度，洄游動線使得窗外的景色盡收眼底。
When entering the master’s bedroom, the double-balcony provides a wider depth of field of view surrounding the whole floor.
大理石紋路的天然走向和質感粗凜的地毯，給柔和的整體加入局部銳化的視覺層次感。
The natural marble vein and rough rug texture add a touch of visual depth for the soft bedroom.
主衛
大面積玻璃石材工藝，為浴室空間營造明亮整潔的空間氛圍。不加贅餘的線條，是對物料本真的尊重，傳達屋主人對於美、真、淨的偏愛。
Well refined glass and marble creates a bright and neat bathroom atmosphere. Without any extra lines, it respects the essence of material itself and conveys the preference of beauty and cleanness.
男孩房
極簡的風範，來自對純粹、直觀自然之美的執念，讓低調的美感充盈在每一個角落。
The minimalist comes from the obsession with pure, intuitive and natural beauty, filling every single corner with understated beauty.
女孩房
女孩房間是米色系和治癒粉色系的巧妙結合。波普風的拼接地毯和掛畫，一改常規女孩房溫柔乖巧的印象，進而彰顯的是更為大膽活潑的形象。
Girl’s room is a subtle combination of beige and baby pink. Pop-style splicing rugs and artwork shows a bold and lively mood instead of a dull impression of gentle and well-behaved.
而每一個精心挑選的擺件，都在各自表達著情緒，承載著有關現在和未來不可言說的小秘密。
Every carefully selected piece of accessory expresses different emotions. Each of them tells a small secret about the present and future.
夾層花藝區，是日常為精神供給養料的狹小空間。牆紙飾面吸納自然的色彩、肌理，在其中打理各色花藝，定氣凝神間純粹的觀感被無限放大。
The floral art studio is more like anatural relaxing space，colorsand texture reflected on the wallpaper with various flowers magnifies the pure feeling of relaxation.
拾級而下至地下層空間，這裡是一切隱秘的匯合處。
Stepping down to the basement, this is where all the secrets converged.
深色木框架構建了堅實的背景牆。漫反射的燈光自上而下投射，映出每一件物體的質樸模樣，為幽暗空間營造神聖氣氛。
Firmly structured background wall made of dark wood with concealed lighting makes the tea room in a simple but Zen mood.
在這裡，通過眼觀、手觸、鼻嗅點香參禪，可以在久違的儀式感中滌盪浮躁，找尋內心失去已久的平靜秩序。
Here you can find yourself a long-lost peace by watching, touching and smelling.
透過一條火焰搖曳的狹長縫隙，可以瞥見另一引人入勝的畫面。從側面走道繞過，便能收穫豁然開朗的暢快感。
Look through the fireplace you will catch a sight of a fascinating space. By passing the sidewalk, a sense of openness appears.
天光自高處挑空傾瀉而下，石牆似一塊大畫布，光線如同水墨暈染的層次向下漸而濃重。
Skylight pouring down from the double high celling shades the stone wall as a gradual light painting.
白色沙發是空間氣質的具象化身，自有一股不食煙火的靈氣。另一側牆面陳列著馬術用具，和悄然佇立的經典藤編椅自成一體,是對貴族精神由內向外的凝視。
The white sofa figuratively embodies the space temperament while the equestrian equipment on the wall and the classic rattan chair matching with each other stands for the spirit of aristocratic spirit.
當爐火的白噪音和焚香味道交錯，聽與嗅覺的界限被打破，居住空間於人的奧義將秘而不宣。“活在當下”的暢快，便能觸發內心本真的感受。
When the white noise and the burning scent of the fire staggered, it breaks the boundary between hearing and smelling. The meaning of living space to every living soul remains as a secret. The sincere joy of “Carpe Diem” can trigger the real feeling in the deep heart.
項目名稱 | 宸宇府排屋樣板房
業主單位 | 旭輝地產 / 華宇地產 / 禹洲地產
設計單位 | 首發 孫文設計事務所
創意總監 | 孫洪濤
室內設計 | 鄭水方、蔡啟銘
軟裝設計 | 張志娟、劉倩
深化設計 | 鄭雪玲、戴男
設計面積 | 360平方米
項目地址 | 杭州市
攝 影 師 | 李恆
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