王立民刊石“春燕”

王立民刊石“春燕”

王立民刊石“春燕”

王立民刊石“春燕”

王立民刊石“春燕”

王立民,山东蓬莱人,别名立酩,字无量,号鸿寿、牧公、牧工。1957年12月6日生于哈尔滨。毕业于哈尔滨师范大学政治系(经济学学士)、黑龙江大学文学与新闻传播学院中国古典文学研究生班。曾任省文化厅副厅长,省作家协会副主席,省文学艺术界联合会副主席,省书法家协会副主席。现为国家一级美术师,中国作家协会会员,中国美术家协会会员,中国书法家协会学术委员会委员,西泠印社社员,中国诗经学会会员,中国汉画像研究会会员。

少年习书画,1975年高中毕业,作为知识青年下乡到黑龙江省未开垦的三江平原从事农牧劳动。1978年末随着全国知青返城大潮回到哈尔滨市,在和兴百货商店做店员,后因有美术特长做了商店的广告美术设计师,1980年考入哈尔滨师范大学。大学读书时,曾担任黑龙江省大学生书法协会第一届主席,黑龙江省青年美术书法家协会副主席。1984年毕业留校,在哈师大美术系任教。书法受业于游寿、周齐先生,篆刻受业于刘江、吴颐人先生,绘画受业于晁楣、贾平西先生。书法作品曾参加首届国际青年书法展览,入选全国第六届书法展,提名入选全国第六届中青展。篆刻作品入展西泠印社第四届篆刻作品评展,入选西泠印社第二届国际篆刻书法作品大展。中国画《秋韵双蝶》在第十四届当代中国花鸟画大展中获二等奖。多次在日本、韩国、新加坡、俄罗斯及台湾、香港、澳门举办书画篆刻展览。

致力于历史学、古文字学及艺术理论研究,发表学术论文100余篇。著有《文心雕虫》《王立民书法艺术》《王立民印稿》《王立民画集》《王立民书法集》《王立民书画集》,合著《近现代书法史》《大学书法教程》。主编《游寿书法集》及首次出版的中国最北部摩崖刻石《北魏嘎仙洞西壁摩崖刻石》。香港大学陈亚飞先生评价王立民的研究“体现了上世纪90年代以来对李瑞清研究最重要的成果”(详见2005年《书法研究》上发表的《李瑞清书法研究的回顾与检讨》一文);中国书协学术委员会副主任周俊杰先生则在《王立民书法集》序中强调:“作为具有思想深度的历史学家和作为具有创造力的书法家的王立民同样都是我们这个时代的骄傲。”

Wang Limin was born in Harbin in December 1957, his literary name is Liming, style name Wuliang, and he also uses Hongshou and Mugong as alternative names.

Limin’s ancestral home is Penglai in Shandong province. He graduated with an undergraduate degree in Economics from the Department of Politics, Harbin Normal University. Wang then studied for a postgraduate qualification in Chinese classical literature from the College of Literature and Journalism, Heilongjiang University.

He was then appointed as Deputy Director of the Heilongjiang Provincial Department of Culture. He also worked as Vice-Chairman of the Heilongjiang Provincial Writers’ Association, Vice-Chairman of the Heilongjiang Provincial Literature and Arts Association, and Vice-Chairman of the Heilongjiang Provincial Calligraphers’ Association.

Wang Limin is currently a National First-Grade Artist, a member of many associations such as the China Writers’ Association, the China Artists’ Association, the Academic Committee of the China Calligraphers’ Association and the Xiling Seal Cutting Society, China; the Book of Odes and Hymns Association and the China Han Dynasty Pictorial Bricks Research Institute.

Wang Limin began his study of calligraphy and painting in his childhood. After graduating from high school in 1975, he was sent to a farm on the undeveloped Sanjiang plain in Heilongjiang province under the policy requiring educated youth to work in and enhance the countryside. In late 1978, when the ‘educated youth’ returned to the cities, Wang was able to return to his hometown of Harbin, finding work in the Hexing Department Store.

With his professional ability in art recognized, he became an art worker responsible for advertisements and window design for the store. In 1980 he was admitted to Harbin Normal University. Whilst studying for his undergraduate degree, he was elected the first Chairman of the Heilongjiang Universities Student Calligraphers’ Association and the Vice-Chairman of the Heilongjiang Youth Artists and Calligraphers’ Association. Following graduation from the University in 1984, he became a Lecturer in the Department of Fine Arts, Harbin Normal University.

In his study of calligraphy Wang Limin follows the work of You Shou and Zhou Qi; in his seal cutting he follows the work of Liu Jiang and Wu Yiren. Wang also studied painting under the guidance of Chao Mei and Jia Pingxi. Examples of Wang’s calligraphy were shown in the First International Exhibition of Youth Calligraphy and he was included in the Sixth National Exhibition of Works Created by Young and Middle Aged Calligraphers. Examples of his seal cutting were shown in the Fourth Exhibition of Seal Cutting and the Second International Exhibition of Seal Cutting and Calligraphy held by the Xiling Seal Cutting Society. His Chinese painting Double Butterflies in Autumn was awarded the second prize in the 14th National Exhibition of Modern Flower and Bird Painting. His ink paintings and examples of his calligraphy have been exhibited in Japan, Korea, Singapore, Russian, Taiwan, Hong Kong and Macao.

Wang Limin devotes himself to history, to the ancient>


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