海報圖片致謝戴建勇
林奧劼: 有空調的熱帶能出哲學家
Lin Aojie: Those Who Like Playing Tricks Usually Don’t Live a Good Life
展期 | Duration
2019/01/05 – 02/28（週二 – 週日 Tue.-Sun. 11:00-18:00）
地點 | Location
香格納北京，朝陽區機場輔路草場地261號，北京, 中國100015
ShanghART Beijing, 261 Caochangdi, Airport Side Road, Chaoyang District, Beijing, China 100015
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香格納北京已於2019年1月5日呈現藝術家林奧劼在畫廊的首次個展《有空調的熱帶能出哲學家》。
在本次展覽中，林奧劼試圖通過多種媒材講述藝術行業真心話，探討並反思藝術家、藝術從業者與藝術機構生存暗湧及發展態勢。展覽題目源自謬論“熱帶沒有哲學家”，正如林奧劼過往帶有強烈即興性、轉瞬即逝且充滿黑色幽默的創作實踐一樣，本次展覽將以藝術家本人到香格納北京空間舉辦個展這一事件為主線，並圍繞“北漂藝術家”的特定身份展開。針對處於該身份下在北京的日常遭遇，林奧劼採用介乎於紀實和觀念之間的靈活手法進行捕捉：作為一位新生代廣州藝術家，除了要努力適應北京的嚴冬之外，在當地各大畫廊尋找機會時還將獲得怎樣的回應？
ShanghART Beijing is pleased to present an exhibition by Lin Aojie “Those Who Like Playing Tricks Usually Don’t Live a Good Life”. Opening on 5 January 2019, this is Lin’s first solo show at the gallery.
In this show, Lin Aojie tries to tell the truth about the art industry through various media, exploring and reflecting on the survival predicament and future development of artists, art professionals and art institutions. Similar to his previous practice, which has been characterised by strong improvisation, transience and black humour, the exhibition takes its name from the fallacy that there is no philosopher in the tropics, focusing on the event itself - Lin’s solo show will take place at ShanghART Beijing - and the specific identity of “a migrant artist in Beijing”. With a flexible approach between documentary and concept, the artist captures his Beijing encounters as a new-generation artist from Guangzhou. In addition to enduring the harsh winter, what response will he receive when looking for opportunities in different galleries?
林奧劼的作品紮根於私人從藝經驗與當代流行文化語境。取代了傳統的視覺語言，他熱衷於將影像、鼠標繪畫、文本、行為等形式的界限模糊化，更刻意融合它們自身的不確定與開放性，意在提供輕鬆如玩笑般的觀看角度，使觀者介入藝術價值、藝術行業乃至整個體系現狀的嚴肅思考當中。同時，看似漫不經心的自嘲態度始終貫穿於敘事結構中，經過林奧劼的微妙把控，成為從內部主動刺穿藝術圈神秘外殼的利器，既引導觀眾窺見覆雜的圈中生態，又給予藝術家自我釋放的出口，以便保持局外人般的清醒。
Lin Aojie's work is rooted in his personal art career and the context of contemporary popular culture. Instead of using traditional visual language, he is keen to push the boundaries of video, mouse painting, text, performance, etc., and deliberately integrates their qualities of uncertainty and openness, so as to offer viewers a relaxed, playful perspective to carefully consider artistic value as well as the present state of the art industry and even the entire system. Meanwhile, a seemingly insouciant manner of self-mockery runs throughout the narrative structure. Under Lin's subtle control, it becomes a weapon to pierce the mysterious shell of the art world from inside, giving the audience a glimpse into the complex ecology and the artist an outlet to keep a clear mind like an outsider.
現場圖
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關於藝術家
About the Artist
林奧劼，1986年生於廣州，2010年畢業於廣州美術學院油畫系，現工作生活於廣州。林奧劼的作品涉及錄像、攝影、繪畫、文本等形式，以帶有強烈即興性和幽默意味的圖像，敏銳而細膩地記錄著日常生活中的瑣碎細節或刻意安排的行為事件，試圖以旁敲側擊的方式對資本主義生產模式、藝術家生存困境以及藝術從業者與藝術家之間的關係進行質疑、嘲弄和批判。
Lin Aojie was born in Guangzhou in 1986 and graduated from Guangzhou Academy of Fine Arts, Oil Painting Department in 2010. He currently lives and works in Guangzhou. Presented through video, photography, painting, text, etc., Lin Aojie has a delicate record of the trivial details of daily life or deliberately planned events with strongly improvisatory and humorous images. By beating around the bush he tries to question, ridicule and criticise the capitalist mode of production, artist's survival predicament and the relationship between artists and other art professionals.
近期主要展覽包括：日光亭項目: 登錄舒適區？，泰康空間，北京（2018）；青策計劃2018，上海當代藝術博物館，上海（2018）；新群眾，南京藝術學院美術館，南京（2018）；共享敘事，香格納北京S空間，北京（2018）；第七屆深港城市\建築雙城雙年展，深圳（2017）；林奧劼：我不是教你詐，也不是教你壞，亞洲當代藝術空間，上海（2017）；第11屆上海雙年展，上海當代藝術博物館，上海（2016）；畫內音，OCAT深圳館，深圳（2016）；腹地計劃，時代美術館，廣州（2015）；第二屆CAFAM未來展，中央美術學院美術館，北京（2015）等。曾入圍2016年華宇青年獎。
Recent exhibitions include: Light Pavillion Project: The Comfort Zone at a Distance, Taikang Space, Beijing (2018); Emerging Curators Project 2018, Power Station of Art, Shanghai (2018); Shared Narrative(s), ShanghART S-Space, Beijing (2018); If You Throw Enough Mud at the Wall, None of It Will Stick, A+ Contemporary, Shanghai (2017); 11th Shanghai Biennale, Power Station of Art, Shanghai (2016); Hinterland Project, Times Museum, Guangzhou (2015); The 2nd CAFAM Future Exhibition, CAFA Art Museum, Beijing (2015). He was nominated for the 2016 Art Sanya Huayu Youth Award.
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