王紱，字孟端，無錫人。王紱， 明初大畫家，擅長山水，尤精枯木竹石，畫竹兼收北宋以來各名家之長，具有揮灑自如、縱橫飄逸、清翠挺勁的獨特風格，人稱他的墨竹是“明朝第一”。洪武中，坐累戍朔州。永樂初，用薦，以善書供事文淵閣。久之，除中書舍人。
Meng Duan Wang Fu, word, wuxi. Wang Fu, Ming painter, is good at landscape, especially the fine bamboo stone dead, painting bamboo and each of the long, since the northern song dynasty with aplomb, and vertical and horizontal elegant, unique style, qing cui ting jin said his MoZhu is "first" of the Ming dynasty. Hongwu, shushuozhou. Yongle at the beginning, with recommendations, to good books wenyuan pavilion. For a long time, in addition to the book give people.
王紱的繪畫，山水、人物都很精，山水師法元四家，尤以王蒙、倪瓚為主，其畫風幽淡簡遠，繼承了元人水墨山水畫法的傳統，也有的畫能將倪瓚與吳鎮之畫法揉合，乾溼並用，蒼古而厚重，《佩文齋書畫譜．畫傳》十說他“山水用筆精到超出幼文天遊之上，而與叔明並駕。”王紱的畫品極高，文徵明在《湖山書屋圖》題跋中說他“人品特高，能不為藝事所役，雖片紙尺縑非其人不可得也。”他不輕易為人繪畫，對於富人用金錢索畫者更是拒之於門外，因此王紱傳世的作品極少。
Wang Fu paintings, landscapes and figures are all very fine, and imitating the yuan to four, with wang meng, NiZan give priority to, its style you thin JianYuan, inherit the meta traditional ink painting landscape painting, also some pictures to NiZan knead and painting of wu zhen, dry wet and, antiquity and heavy, "palin Wen Zhai painting and calligraphy. HuaChuan" ten said he "landscape pen precise beyond young Wen Tian swim, and uncle Ming and driving." Wang Fu painting article, article prove in the lake mountain random graph inscription said he "pinter is high, can not for art, the service is a piece of paper '縑 must the person, too." He is painting, not easily for the rich use money amp is shown to the door, so Wang Fu works rarely handed down from ancient times.
這幅水墨山水畫，長137釐米、寬43.5釐米，是王紱成熟時期的作品，圖中所畫風景應是王紱家鄉風景，代表了明末清初山水畫的基本特點，也是王紱代表作中的精品。從畫面上看：長江遠山，叢篁怪石，隨意所適，無不妙絕。圖上方留白處由王紱自題了一段文字“畫本玩物也，人多嗜之；而善玩者多徇物以溺賣焉，蓋玩之有善有不善者亦由乎人耳”，從其言語中表達了其不為藝事所役，不事權貴的豁達情懷，令人肅然起敬；再看其遠山近景用筆：繁筆線條較長，轉折靈活，多用中鋒，主要宗法王蒙、吳鎮的筆法，簡筆則幹筆、偏鋒、皴擦並用。
This landscape painting, 137 cm long, 43.5 cm wide, is Wang Fu mature period works, figure in the painting landscape should be Wang Fu hometown scenery, represents the basic characteristics of late Ming dynasty landscape painting, is a high-quality goods for Wang Fu masterpiece. From the picture look: the Yangtze river distant mountains, clumps of bamboo rocks, at will, no bad. Figure above margins by Wang Fu since a paragraph "painting plaything, also more people addicted to; However, those who are good at playing are more willing to accept things to sell, and those who are not good at playing are also interested in people's ears. See its far mountain close-up with pen again: numerous pen line is longer, twist is agile, multi-purpose center, main zong law wang meng, wu zhen's brushy method, jian pen is dry pen, eccentric front, brush brush is used.
李日華稱讚：“用筆精到超出幼文（徐賁）天遊（陸廣）之上，而與叔明（王蒙）並駕，平生絕少者”。董其昌稱他的畫說：“王紱在國初如楊萬里（士奇）方正學（孝孺）之文，實先輩典則”。這兩位明代著名的鑑藏家、書畫家對其藝術的評價，肯定了王紱在山水畫發展史上的重要作用，更說明他是一個由元入明階段不可多得的全才畫家。
Li rihua praised: "the use of the pen to go beyond yu wen (xu Ben) day tour (lu guang) above, and with shu Ming (wang meng) drive, life is rare." Dong qichang says his sex: "early Wang Fu in countries such as the compose (odd) founder learning (Confucian), real ancestor cult". These two famous Ming dynasty jian collectors, art paintings for its evaluation, confirmed the Wang Fu important role in the history of the development of landscape painting, more shows that he is a rare all-rounder artist stage, the yuan into the Ming.
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