項目位於西安市未央區北辰路與環湖南路交匯處，是西安城北早期的別墅區。受城北高鐵新城、經開板塊、城東滻灞和港務區板塊的多重發展促進，正迎來全新升級時代。項目用地面積4350㎡，城市界面良好，豎向平坦。項目的建設將促使西安東部形成全新的中央生態居住區，一種全新的風景生產力將進入到西安居住生活圈。
TOPSCAPE: The project is located in the intersection of Beichen Road and Huanhu South Road, Weiyang District, Xi’an city which is an early villa area in northern Xi’an. Affected by the completion of high-speed railway and multiple regional economic development, it is ushering in a new era of upgrading. The city has a good interface and the project covers more than 4,000 square meters. The construction of the project will promote the formation of a new central ecological residential area in eastern Xi’an, and a brand-new landscape productivity will enter the residential life circle of Xi’an.
設計思考
極致的空間感受來源於統一的建築語言和景觀設計語言。剖析建築本身結構的語言，提煉了“笥”這個有著“容器”寓意的概念為景觀設計的主旨，整體建築結構猶如傳統盛裝東西的器物，在此之前，深化表達了不同的景觀序列和空間功能的關係。
The ultimate feeling of the space comes from combination of the architectural language and landscape language. Analyze the language of the structure of the building itself, refining the concept of “Si” with the meaning of CONTAINER as the main theme of landscape design. From this, we try to deepen the relationship between the landscape sequence and spatial function.
設計呈現
空間不大，分成前後兩個不同的場所，兩個“笥”功能不同，傳遞的情感也不同。沒有複雜的故事，“笥”裡裝以草木、醉石，賦山水，起陶令；在西安這座底蘊深厚的城市，就用樸素的造園素材，取捨之間追求沒有負擔的精工，迴歸本源。
The limited space is divided into two parts with different functions and emotions. We put grass trees and stones into the yard, make it echo the traditional poetry. By using the simplest garden material, we look forward to finding ingenious craftsmanship without too much element to show the culture background of Xi’an.
初識 | 入口
場地外延干擾因素較多,分車帶內設有間隔50米電線杆和間隔30米的路燈距離十字路口較近有限高杆、紅綠燈等, 唯一欣喜的是市政的行道樹茂盛有態度。門和大樹本身應該統一存在，立面弧線迎著人來的方向，形式為解決問題而來。一道牆將園外的喧囂和院內的清幽雅隔離開來。
There are many interference factors outside the project. For example, there is a pole every 50 meters and street lights every 30 meters. Besides, there is a high limited pole over the crossroad. The only good condition is the municipal beautiful lush tree along the street. The form of the gate and the trees should be existed in unified way which is facing the direction of person coming in the arc wall. This form will solve the problem. One wall apart the noise outside and the elegance in the courtyard.
聆音 | 入口花園-微園
進入的方式體現空間層次的遞進與視景的滲透，形成一石、一樹、一框景。可以觸碰的都是精工細節，柵格是為了捕捉更好的光而存在。
When entering the space, a feeling that is more sense of hierarchy in space step by stop will be touched. Additionally, a stone, a tree and a part of view will be formed at the same time. All the exquisite craft can be touched. Besides, the grid is for catching the better light.
破望 | 風雨連廊
廊橋連接門和建築，是第一個“笥”圍合空間的重要素材。隨廊前行，禪石、古松、流水，格柵的疏密層次增加光影的動態變化，規整嚴謹中隨時間流動。
The first “SI” is the corridor which connects the gate and the structure. It is also an important material for space fence. Along the corridor, all the Dhyana stone the pine tree and the stream give the light different changes with the flowing time.
知微 | “笥” 中清樽
轉過廊，水中錯落的烏桕，柔化了建築的形， 擅長訴說光影的故事，是笥中的主角。
Passing by the corridor, the shadow of the Chinese tallow tree in the water make the structure soft. The main role of “SI” is good at telling the story about the light and the shadow.
清晨的陽光透過淡淡的雲層，傾瀉在水面上，散落的波光，樹影斑駁，與倒影相映成趣。
The morning light through the faint cloud shines on the surface of the water. Meanwhile, the scattered light waves and the mottled tree shadows with the inverted image are next to each other.
廊和建築緊密咬接，語言一致。
In order to making the language in common, the corridor is close connected with the building.
舍歸 | “笥” 中花木水苑
花繁草茂，一衣帶水，步移景異。流淌的曲線，把本來的通過式的空間，用形式讓人放慢腳步駐足停頓。對於設計的控制不僅是方案落地，軟裝傢俱一體化，配飾恰到好處點睛，是雕塑也是傢俱。
Keep walking, the lush flowers and grasses could be seen. With the curve design, we make a simple through passageway into a space which visitors can take their time and immerse themselves. As for the landscape design, it is not only the project landing successfully, but also the integration of soft decoration and landscape design which means the accessories are just the right touch. They are not only the sculpture but also the furniture.
▼夜景下的景觀疊水 The night view of waterscape
園居 | “笥” 中的光陰
大區實開是對住區常態的考驗，拋卻說教式的故事，真實的場景才是生活的本質。
The community live opening is a test for normalcy residence. Without stuffy telling story, the truly space is the essence of life.
樣板院，幾尺見方的小院，中間有一個佔地比例卻大的採光天井，幸好設計總有順勢而為的好辦法，取消掉原本的防護欄杆，將天井幻化成水面，成就一東一西兩個小空間的連接，形成天然的動靜分區的庭院設計。
The prototype yard is not a very large place. There is a relatively larger courtyard inside. Fortunately, it always has a good solution to adapt to the change. Canceling the original protective railings to make the courtyard looks like the surface of the water. This will become a link to the two small parts and also make the functional differentiation of landscape naturally.
屋頂花園的呈現則是一個驚喜，放開手腳，原來景觀的室外空間也可以大膽的配色與用材，當然最重要的依舊是對生活的體悟，如此才能有合適的空間。想像空間的營造是基本功，材質的考究是一門必修課，院落與屋頂花園的軟裝設計也是我們的專業團隊一氣呵成的安排。
The roof garden is a surprise, the bold use of color and materials are applied to the outdoor space. Absolutely, the most important thing is from the understanding of life. It is the basic skills for the imagination and design of pubic space. Apart from that, it is compulsory about thinking and the usage of materials. The soft decoration design of the landscape and roof garden are both from our team works.
上景設計：我們的設計靈感來源於建築本身，利用曲線和直線的碰撞，表達出蘊含在傳統園林裡的韻味以及現代空間的舒朗。建成後的空間，實現了弧形與矩形的良好融合。我們希望通過追尋極致的品質感，引導人們對社區景觀的需求向更高的層次發展，同時致力於成就更為良性和積極的人居生活。
