艾國中國山水畫風格介紹
艾國先生，1966年生於北京，自幼喜好書畫，專攻中國山水畫，取法清代王原祁、漸江、髡殘，明代董其昌等諸家，得到多位國內一流名家教授，曾在北京畫院、中國國家畫院學習，長期在中國內地寫生遊歷，曾獨居山區靜心創作，後致力於山水畫的學術研究和中國畫教育事業，在中國著名大學如清華大學，中國人民大學、河北經貿大學等藝術類學院教授課程，被專業畫院聘請為研究員。作品追求傳統精神理念，並有獨特的自我面貌，於近年在繼承宋代郭熙“三遠法”圖式的基礎上，根據工業、科技時代的特徵，提出和創立了中國山水畫“俯遠法”新圖式，填補了中國畫俯視角度空間上的空白，使山水畫經營圖式，從五代時期荊浩、關仝的“全景式”到北宋郭熙的“三遠式”，南宋李唐的“近景式”至馬遠、夏圭的“局部式”，再到當代的“俯遠式”，得到了全方位的完善和發展。艾國先生的主題作品在業內具有很深的影響，並著有多篇論文問世。
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中國山水畫表達的是一種覺悟文化，“澄懷觀道”自古就是品鑑的標準，畫品高低取決於做人、見道的深淺，艾國先生日常著力於佛學經典研究，並身體力行，生活樸素，吃素二十餘年，不穿戴使用皮類物品，熱衷公益，學術立足，修於悟道的心境，融於書畫的品格。其作品是靜的、空靈的，平和的。他儘量把一切做到單純，舍掉一切夾雜，不做任何修飾和花巧，只留下中國畫特有的標誌，點、線，以隨心的節奏，應物象形的顯露出物象的若即若離，即有即無的狀態，不營造黝黑似的所謂厚重，不求形體的清楚和結實。賦彩很淡，勾勒平塗，並使用自然的兩三種主色，不故意調和特別的色彩來討好觀者，色與色、墨與墨、色墨接近，以致到分不清的程度，渾然一體而各得自在。經營位置上不做高聳挺拔的物象，山勢平緩，水路無奇，“三遠”結合而另加“俯遠”，不做大的空間層次，不做大面的潑墨暈染營造氣氛，山水皆來自於平實的自然造化，而各個因素統一在綿和的用筆之中，自心流出，使得畫面內斂無張，靜心祥和。他的用筆是高古遊絲，線路、線條，盤旋起伏、循環迴轉，筆墨是筆筆到位，用墨是清朗幽明，畫面既寫意又寫實，把所有的筆墨拆開來看，筆墨元素是抽象的，表達的物象是具體的，抽象和具象的結合是最難做到的，這在艾國先生的作品裡得到了有機的結合，體現了中國畫新的特質,在保留純正的民族傳統特徵上又走出了可喜的一步。
好的中國繪畫視覺上是祥和平靜的，它會使觀者的心沉澱下來，放下一切染著煩惱，感受到自然的無限清涼，體會到物我的交融安樂，最後進入“大自在”的精神境界。一切都是平常的，氣韻平常，用筆平常，應物平常，賦彩平常，位置平常，傳模平常，“平常心是道”，這也是中國山水畫的最高境界。
艾國先生的繪畫力求如斯，人格力求如斯。
Introduction to Chinese Landscape Painting Style of AiGuo
Mr AiGuo was born in 1966 in Beijing. He likes painting and calligraphy since childhood, specializing in Chinese landscape painting. He imitated the WangYuanqi, JianJiang, KunCan of the Qing dynasty and DongQichang of the Ming dynasty and so on others. He was taught by many first-class professors in China. He studied in Beijing Painting Academy and China National Painting Academy. Mr AiGuo has been painting in mainland China for a long time. He once lived alone in a mountainous area and composed quietly. After that, he devoted himself to the academic research of landscape painting education of Chinese painting. He taught courses in famous Chinese universities such as Tsinghua university, Renmin university of China, Hebei University of Economics and Business and other art schools. And he was hired as a researcher by the professional painting academy. Mr AiGuo's works pursue traditional spiritual ideas, and has a unique look of self. In recent years, Mr AiGuo inherited GuoXi of the Song dynasty on the basis of the "three far" schema, according to the characteristics of industrial and technological times, put forward and founded the new schema about Chinese landscape painting "leaning far method" to fill the gaps in Chinese painting overlooking the angle on the space. Which made the landscape management pattern.From "panoramic" of JingHao and GuanTong in the five dynasties period to Guo xi's "three-distance style" in the northern Song dynasty " , and the "close-up style" of LiTang in the Southern Song dynasty to the "local style" of MaYuan and Xia Gui, and then to the contemporary "far-reaching style", got a full range of perfect and development. Mr AiGuo's subject works in the industry has a deep impact, and published a number of papers.
Chinese landscape painting expresses a kind of consciousness culture. "chenghuai guan dao" has been the standard of appreciation since ancient times. The height of painting depends on the man, the depth of experience. In the daily life, Mr AiGuo devoted himself to the study of Buddhist classics, and practiced himself, living a simple life and eating vegetarian food for more than 20 years. He does not wear or use leather goods. He is passionate about the public good and has a foothold in academic studies, and practices his mind of enlightenment and integrates his character of calligraphy and painting. His works are still, ethereal and peaceful. He try to do everything simple, lay down all inclusions, don't do any modification and skill, leaving only a sign of Chinese painting unique, point and line to the rhythm of the heart, use object image shows vague, like with and without the status of the doesn't create a dark heavy, not to clear and strong physique. Color is very light, outline flat painted, and the use of natural two or three main colors, do not deliberately reconcile the special color to please the audience, color and ink use is close to the degree of indistinctness, one integrated whole and each get comfortable. Business location does not do tall and straight image, the mountain gentle, no strange waterways, "three far" combined with the addition of "bending far look". Do not do a large space level, do not do a large splash ink muddle to create an atmosphere, landscape are from the natural nature of the smooth, and each factor unified in the continuous creative skills, from the heart flow, making the picture implicit not publicity, calm and peaceful. His creative skills is ancient balance spring, the line and circle line ups and downs, circulation and every stroke of ink is just right. The eden is clear focuses . The picture is both enjoyable and realism, unwrapped all the ink and the ink element is abstract. The expression of object is concrete . The combination of abstract and concrete is the most difficult, which in works of Mr AiGuo got organic union, embodies the Chinese painting new traits, happily on preserve the traditional characteristics of pure, worthy of joy.
A good Chinese painting is visually peaceful and quiet. It will make the heart of the viewer settle down, let go of all the dyed troubles, feel the infinite coolness of nature, feel the harmony between the object and himself. Finally enter the spiritual realm of "great freedom". Everything is ordinary, the charm is ordinary, the creation technique is ordinary, the matter is ordinary, the colour is ordinary, the position is ordinary, the transmission model is ordinary, "Ordinary mind is the principle of doing things". This is also the highest state of Chinese landscape painting.
This is what Mr AiGuo's painting pursues, as well as his personality. /<code>
艾國在山西陽泉寫生，2018年
艾國
北京市人，1966年生
2015年清華美院書畫藝術創作高研班艾國寫生專項課程導師（主講）
2015年中國人民大學繼續教育學院研究員、範揚博導工作室執行導師
2014年榮寶齋畫院名家工作室執行導師
河北經貿大學藝術學院教授
黑龍江省畫院研究員
中國畫俯遠法課題創研人
中國美術家協會會員
今日鑑藏美術館藝術顧問
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