現代性的城市中，人們工作和生活的場所總是分離的。然而在西濤設計工作室（Atelier TAO+C）成立之初，設計師卻面臨著這樣的需求——工作和休息在同一個地方，用最低的預算，開始一種作坊式的生產和生活。 在一幢無名的80年代居民樓底層，他們租下了一套破舊的小公寓。它有著那個年代老公房的典型特徵——一個長14.5米寬3.3米的狹長矩形平面，擁有悠長而封閉的牆面，只在房子的兩端和中間開口，北端有一個小窗戶，南端則是通往庭院的落地門窗，中間是兩棟樓房之間的內天井。他們著手將之改造翻新成為工作室，使其適用於居住和工作的雙重功能。隨著工作室的發展，他們以每半年的間隔，相繼租下了緊鄰的兩個相似的房間。通過拆除相鄰庭院之間的矮牆，經由戶外串聯起本來隔絕的房子，形成了一個長條型的院子，兩個纖細的玻璃盒子，和三個連續的工作空間。
In a modern city like Shanghai, Places of residence and places of work hardly ever coincide. As a newly established design practice, architects from Atelier TAO+C confronted a need of combining living and working in one place with low cost. On the ground floor of an anonymous 80s housing, we found a small residence with obsolete interior furnishings, the plot is narrow and long, measures 3.3 x 14.5 meters, with a backyard less than 6 sqm. We rent and transformed it into a studio to accommodate the new function of living and working. With the growth of the studio, we rent two rooms next to former one step by step, by eliminating the walls in between the backyards, result in an elongated backyard with two glass boxes with slim frames to connect three isolated working spaces.
▼位於老社區之中的工作空間串聯了三間房屋的改造，the studio locates inside a neighborhood which including three apartments
©田方方/©蘇聖亮
©田方方/©蘇聖亮
▼改造前後對比，before and after transformation
▼從左到右三期改造過程總平面圖，from left to right: plan of three transformation phases
▼軸側圖，axonometric
在第一個房間的北端，設計師置入了一個長3.6米寬1.7米的密度板材料製作的居住箱體。通過板面的開口和轉折開合，形成了一個結合床、隱蔽衣櫃、書桌、閱讀燈、窗板和窗邊座椅的集成裝置，即緊湊又舒適。窗板打開時，小窗戶透來安靜的微光，經過密度板的反射後更加溫暖幽靜；當窗板閉合時，光線就變得昏暗適宜入睡。 把生活空間壓縮至極少後，留出更多靈活可變的工作空間。他們定製了一個結合木頭架子和軌道的系統連接起剩下的空間－架子從臥室生長出來，繞過天井，圍合住衛生間和廚房，軌道延伸向庭院。鍍鋅板製作的導軌，有趣的融合了陽光板移門的軌道、燈架和窗簾軌道的多種功能。
A living box made of MDF was inserted at the north end of the first room. It is compact – 3.6 x 1.7 meters – yet adequate and comfortable to live, in which the necessary functions – bed/shelves/hidden closet/table/reading lamp/window with operable panels/a seat nearby the window were elaborately combined together. By compressing the living into such an object, leave us more flexible and changeable space for working. The space is articulated with a united shelf – track system which growing from the bedroom, wrapping around the light shaft, concealing the small kitchen and bathroom behind and extending toward the backyard. The pine shelves are grid in tongue and groove connection, the tracks are customized with zinc coated steel which works as light tunnel as well as playful tracks for sliding doors and curtains.
▼第一個房間的北端置入居住箱體，insert a small sleeping box at the north end of the room
▼居住盒子，the sleeping box
©陳顥
©陳顥
▼木頭架子和軌道的系統結構在空間中連接，shelves and tracks system go through the whole room
©蘇聖亮
©陳顥
通往庭院的門洞處，拆掉了原來的白色鋁塑門，將一個細木框架的玻璃盒⼦從庭院半嵌入室內，讓光線最大限度的進入房間中。室內外反向的玻璃盒子，既是一個有圍合和頂蓋的內部空間，又是連接庭院的外部空間，像懸在水面的亭子。從一個修道院般的居住箱體走向明亮的庭院，停留在這個半室外盒子中時，會讓人想起亞洲空間裡典型的迴廊和緣側，同時纖細的木框和玻璃又喚起一種陌生不真實的體驗。
The size and depth of backyard became problematic, it’s too small and too close to the road, we need to figure out a way to enlarge it without touching the walls and not losing indoor space which is already tight. We carried out with A hollow box with slim wood frames sitting half inside half outside, brought the backyard in and meanwhile allowed light to penetrate into the heart of room. It appears to be a bewildering space which is both outside-in and inside-out. The itinerary of moving from a solid serenity box to an open garden, resting at the negative space, reminiscing a familiar Asian space typology – Engawa. While the thin frames and glass also evoke an alien and surreal moment.
▼盒子如同浮動的亭子，like a floating space
©朱海
▼細木框架的玻璃盒⼦從庭院半嵌入室內，a bewildering space which is both outside-in and inside-out
©陳顥
半年後，庭院之間的矮牆拆掉了，院子經歷了第一次生長。應用同樣的材料和形式語言，一個扇形的玻璃盒子被置入第二個空間和庭院之間——不同的是，這是一個延續室內外凸至庭院的玻璃盒子。於是，從一個房間進入另一個房間的過程必須經由兩個玻璃盒子，一個開放一個封閉——形成了院子裡的對話。
Half year later, the backyard went through a growing. The wall in between two yards was removed. Applied with the same material and language of the former box, a convex glass room extruded from the next residence. The two boxes- one open, one closed, formed a conversation in open air.
▼半年後工作室的擴建增加了新的扇形玻璃盒子，Half year later, the growing process half a year later saw a convex glass room adding to the former box
©蘇聖亮
©陳顥
▼盒子細部，detail of box
©Santiago Barrio
©Santiago Barrio
增加至第三間後，他們把扇形玻璃盒子拉長，覆蓋通往第三間的入口，這是庭院的第二次生長。第二間和第三間的室內都配置了相似的架子系統，作為資料會議室和模型室使用。
After the third room was rented, we extended the arc-shaped glass to cover the entry to the third one. The rooms was used as library and model room, installed with the same shelves and tracks. The route of walking through two residences in-out-in, is an experience of light and air.
▼增加至第三間後，扇形玻璃盒子拉長覆蓋通往第三間的入口，the arc-shaped glass was extended to cover the entry to the third one after the third room was rented
©蘇聖亮
©蘇聖亮
▼兩個房間均配置了相似的架子系統，the rooms are installed with the same shelves and tracks
©蘇聖亮
©蘇聖亮
©蘇聖亮
作為一個租借和臨時狀態的工作室，整個改造選用的是最普通的材料——水泥、白色乳膠漆、松木、陽光板、鍍鋅板、密度板，既是基層和結構也是所見所觸的完成面。所有的固定傢俱和裝置全部由施工方手工製作而成。忠實的表達材料特性，不加修飾並恰到好處的融入原有住宅，形成一個極少的坦誠的空間。
The renovation employed the cheapest materials such as concrete, white paint, pine, hollow plastic plates, zinc coated steel, and keep it in their natural state. All the joineries and installations are hand-made in site. To keep the materials as found, fit in the original residence, combine to make a scheme of conceptual simplicity and spatial purity.
▼材料細節，detail of the materials
©朱海
©朱海/©蘇聖亮
©朱海/©蘇聖亮
對使用者同時是建築師而言，整個改造是一個重新審視成長於斯的熟悉環境，探索新的使用功能的可能性，在一個平常的居住建築類型裡注入空間陌生感的過程。用簡易經濟的材料做細微和精巧的調整，並沿著鄰里結構關係的紋理蔓延生長。是一次由室內空間展開去探討建築手法和城市關係的經歷，建議了另一種具有透明性和靈活性的當代工作生活模式。
In the whole process, we seek to find a way to accommodate new possibilities of use and occupation, to make light touch and adjustments with humble materials, to maintain flexibility of interior space and grow along with the pattern of neighborhood, to shed light on the spatial strangeness found within mundane housing typologies. The process of making, take form from inside and grow to the fabric of building, suggested a mode of dwelling and working in tune with the modern condition of changeability and transparency.
▼建築與環境的和諧關係，the relationship with the environment
項目名稱：西濤設計工作室
場地地址：中國上海
項目類型：辦公室住宅
設計師：Atelier TAO+C 西濤設計工作室
設計團隊：蔡春燕 ／劉濤 ／SiSi
項目協調：李熙慧
聯繫信息：[email protected]
完工日期：06.2016 （一期）/ 04.2017（二期）/ 10.2017（三期）
面積：45 sqm （一期）+ 32 sqm （二期）+ 32 sqm （三期）
施工方：上海添賜建築裝飾有限公司 王金芳
材料：壓光水泥地面，松木，鍍鋅板，陽光板，清玻璃
燈具：MUUTO- E27 PENDANT LAMP，Custom made lighting track designed by Atelier TAO+C
傢俱：E15- BACKENZAHN stool，Fritz Hansen- SERIES 7 chair，Cassina- LC7 chair，BD Barcelona Design- SHOWTIME chair ，MODERNICA- Case Study Side Shell Eiffel ，VITRA- EM table ，HAY- ABOUT A CHAIR，Custom made shelves designed by Atelier TAO+C
攝影師：蘇聖亮/陳顥/Santiago Barrio/朱海/田方方
Project Name: architects’ studio
Site Address: Shanghai, China
Project Type: Living-working space
Designer: Atelier TAO+C
Design Team: Cai Chun Yan / Tao Liu / SISI
Coordination: Loulou Li
Contact: [email protected]
Completion Date: June 2016 (1st room) / April 2017 (2nd room) / Oct 2017 (3rd room)
Gross square footage: 45 sqm + 32 sqm + 32 sqm
Construction: Shanghai TIANCI construction CO.
Architectural –materials: Concrete floor, Pine, Zinc coated steel, Clear Glass, Hollow plastic plates
Decorative Lighting: MUUTO- E27 PENDANT LAMP, Custom made lighting track designed by Atelier TAO+C
Furniture: E15- BACKENZAHN stool, Fritz Hansen- SERIES 7 chair, Cassina- LC7 chair, BD Barcelona Design- SHOWTIME chair, MODERNICA- Case Study Side Shell Eiffel, VITRA- EM table, HAY- ABOUT A CHAIR, Custom made shelves designed by Atelier TAO+C
Photography: Su Sheng Liang, Chen Hao, Santiago Barrio, Zhu Hai, Tian Fangfang
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