寶石藍也叫霽藍、祭藍。創燒於元代景德鎮窯，明代宣德年間與祭紅、甜白並列為當時顏色釉的上品。霽藍跟祭紅一樣，屬於高溫失透釉，以氧化鈷為呈色劑，在生坯上掛釉，入窯經1200℃——1300℃的高溫一次燒成，成色穩定。康熙時寶石藍釉釉面有桔皮棕眼和氣泡，分佈比較均勻。也有的釉面出現垂流狀。康熙和雍正年間的霽藍釉都是仿明代宣德的品種，以盤、碗為仿製品。乾隆前期與康、雍差不多。而後期卻更精緻了。而清朝後期霽藍很少，且都釉面不夠均勻。
Sapphire blue is also called Jilan and Jilan. It was founded in Jingdezhen kiln of Yuan Dynasty. In Xuande period of Ming Dynasty, it was the best color glaze at that time along with sacrificial red and sweet white. Jilan, like Jihong, belongs to the high-temperature devitrification glaze. It uses cobalt oxide as the color agent to hang the glaze on the green body. It is fired in the kiln at a high temperature of 1200 ℃ - 1300 ℃, and the color is stable. In Kangxi, there were orange brown eyes and bubbles on the surface of sapphire blue glaze. There are also vertical flow of glaze. The Ji blue glaze of Kangxi and Yongzheng were imitations of Xuande in Ming Dynasty, with plates and bowls as imitations. In the early period of Qianlong, it was similar to Kang and Yong. But later stage is more delicate. In the late Qing Dynasty, Jilan was rare, and the glaze was not even.
歷史上，多大數時候，我們國家算不上喜歡藍色，喜歡藍色的只有元朝，還是受外來文化的影響。藍色的含義一般是象徵著大海，和藍天，代表著沉穩與女性氣質。在中國文化中藍色在古代相對其他顏色來說運用得比較少，在古代漢族視青、紅、皂、白、黃等五種顏色為“正色“，這其中並沒有藍色。
In history, how many times does our country like blue? Only the Yuan Dynasty likes blue, or it is influenced by foreign culture. The meaning of blue is generally a symbol of the sea, and the blue sky, representing calm and feminine temperament. In Chinese culture, blue was used less than other colors in ancient times. In ancient Han people, five colors, such as blue, red, soap, white and yellow, were regarded as "positive colors", among which there was no blue.
那麼為什麼元朝會喜歡藍色呢？藍色也是蒙古族崇敬的顏色之一，在蒙古族看來，藍色代表自然景色、山河人物，象徵著永恆、堅貞和忠誠，繁榮、美好與氣魄。藍色作為蒙古族崇尚的顏色，是源於蒙古族崇拜藍天的原始信仰。蒙古族崇尚藍色表現在日常生活、生產活動中的方方面面，當然服飾也不例外。深藍色是男子蒙古袍的主打顏色。而淺藍、淡藍色的蒙古袍在夏季也會成為女性的首選。
So why did the Yuan dynasty like blue? Blue is also one of the colors revered by the Mongolian people. In the Mongolian People's eyes, blue represents the natural scenery, mountains and rivers, and symbolizes eternity, constancy and loyalty, prosperity, beauty and boldness. As the color that Mongolian adores, blue comes from the primitive belief that Mongolian adores blue sky. Mongolian people advocate blue in all aspects of daily life and production activities, of course, clothing is no exception. Dark blue is the main color of men's Mongolian robe. The light blue and light blue Mongolian robes will also become the first choice for women in summer.
在我國古代的陶瓷歷史中，就有藍色瓷器 - 藍釉瓷。傳統藍釉，以天然鈷土礦為著色劑，除含氧化鈷外，還含有氧化鐵和氧化錳。藍釉最早見於唐三彩中。但這時還是低溫藍釉，只有綺麗之感，缺乏沉著色調。 高溫藍釉的出現是在元代。入明以後，特別是在成化時，藍釉器物多而質美，被推為成化瓷器的上品。至清康熙時，更出現灑藍釉、天藍等多種新品種。藍釉以氧化鈷為呈色劑，最早見於唐三彩，宋代鈞窯以天藍釉為主色調，元代景德鎮燒成了高溫藍釉瓷、明清時又燒成了霽藍、灑藍、天藍孔雀藍等藍色釉瓷。
In the ancient ceramic history of China, there is blue porcelain - blue glazed porcelain. Traditional blue glaze, with natural cobaltite as colorant, contains not only cobalt oxide, but also iron oxide and manganese oxide. Blue glaze was first seen in the three colors of the Tang Dynasty. But at this time or low temperature blue glaze, only beautiful feeling, lack of calm tone. High temperature blue glaze appeared in Yuan Dynasty. After Ming Dynasty, especially in Chenghua period, blue glaze wares with many beautiful qualities were regarded as the top grade of Chenghua porcelain. In the reign of Emperor Kangxi of the Qing Dynasty, a variety of new varieties such as blue glaze and sky blue appeared. Cobalt oxide is the color agent of blue glaze, which was first seen in three colors of Tang Dynasty. Jun kiln in Song Dynasty mainly used sky blue glaze. Jingdezhen in Yuan Dynasty fired high temperature blue glaze, and Ji blue, SA blue, sky blue peacock blue and other blue glaze in Ming and Qing Dynasties.
藍釉屬高溫石灰鹼釉，呈色劑為氧化鈷，最早出現於元代，但傳世品不多。明、清兩代在元代藍釉的基礎上相繼創燒出霽藍、灑藍、回青、天青、寶石藍等各色釉。天藍釉屬於高溫顏色釉，從天青釉演變而來，創燒於清康熙年間，色調似天空之蔚藍色，故稱“天藍釉”。天藍釉含鈷量在1%以下，釉裡的銅、鐵、鈦等金屬元素對呈色均有影響。
Blue glaze is a kind of high temperature lime alkali glaze. The color agent is cobalt oxide. It first appeared in Yuan Dynasty, but there are few handed down products. Based on the blue glaze of the Yuan Dynasty, the Ming and Qing Dynasties successively produced various kinds of glazes, such as Jilan, Salan, Huiqing, Tianqing, and sapphire blue. The sky blue glaze belongs to the high temperature color glaze. It evolved from the sky blue glaze. It was created and burned in the Kangxi period of the Qing Dynasty. Its color is like the blue of the sky, so it is called "sky blue glaze". The cobalt content of the sky blue glaze is less than 1%, and the copper, iron, titanium and other metal elements in the glaze affect the color.
藍釉類瓷器最早見於唐三彩，後沉寂於元明兩朝，最終在康熙朝時期迎來複興，並且直至現代成為收藏愛好者們的追捧熱門。宋代時盛行清麗之風，出現了天藍釉這一清雅色釉。元代則發展成高溫藍釉瓷，這種高溫釉是後來霽藍釉的前身。從明至清後又逐漸出現了霽藍、灑藍、天藍、孔雀藍等藍釉瓷，種類之多，釉色之美，讓人歎為觀止。可以說，在整個藍釉瓷體系中，霽藍釉藍如深海，是色調最純正的。霽藍釉是一種慣稱，此前的稱謂有“積藍”、“祭藍”等，後取“霽藍”二字，在中國古典文學中象徵著雨過天晴，是非常特別的藍釉瓷器。
Blue glaze porcelain was first seen in the three colors of the Tang Dynasty, and then died in the yuan and Ming Dynasties. Finally, it was revived in the Kangxi Dynasty, and it has become the hot pursuit of collectors until modern times. In Song Dynasty, the elegant glaze of sky blue appeared. In Yuan Dynasty, it developed into high temperature blue glaze, which was the predecessor of later Ji blue glaze. From the Ming Dynasty to the Qing Dynasty, blue glazed porcelain gradually appeared, such as Ji blue, SA blue, sky blue, peacock blue and so on. It can be said that in the whole blue glaze system, Ji blue glaze is as pure as the deep sea. Jilan glaze is a kind of common name. The former names include "Jilan" and "Jilan". Later, the word "Jilan" is used to symbolize sunny days after rain in Chinese classical literature. It is a very special blue glaze porcelain.
專家推薦：此寶石藍釉纏枝花卉紋高足豆尊造型類似高足盤，上部呈圓盤狀，盤下有柄，柄下有圈足，由上至下分為五部分，口沿飾一圈回紋，頸部飾以捲雲紋，腹部飾以纏枝花卉紋，腹部以下裝飾有錢文以及底部飾以仰蓮紋，通體施寶石藍釉，色調純正豔麗，酷似藍寶石的顏色，釉色渾厚豔美藍若寶石，輕盈透亮，造型秀巧，線條圓潤，色鮮而不失穩重，釉質更是潤澤明亮，如寶石一般，極盡藍釉之能事，一代風氣，遂此而開。此成化藍釉承襲宣德血統，較之往日，更顯純熟穩重。其雖為人造，但窯火成器，若非天時佳美，則無此顏色相見時人。加之彼時寶石藍釉多見於杯碗盤碟之屬，立件甚為難遇，故此器實可謂三才共通，方得如此。置與案頭，乃可知文思心秀，人力難盡。高溫藍釉創燒於元代景德鎮窯，入明持續燒造，且品質越來越高，燒造工藝純熟，藍釉質感凝厚，色澤豔美猶如藍色寶石，故稱為“寶石藍釉”，傳世稀少。極具收藏價值及藝術價值！
Experts recommend: This sapphire blue glaze flower pattern is similar to the shape of the high foot plate, with a handle under the plate and a ring foot under the handle. It is divided into five parts from top to bottom. The mouth is decorated with a circle of wrinkles, the neck is decorated with cirrus pattern, the abdomen is decorated with flower pattern, the abdomen is decorated with rich text and the bottom is decorated with lotus pattern. The whole body is decorated with sapphire blue glaze, with pure and gorgeous colors and cool It looks like the color of sapphire. The glaze is thick, gorgeous and beautiful. It is light and transparent. The shape is exquisite. The lines are mellow. The color is fresh without losing stability. The enamel is even more glossy and bright. It is like a gem. It makes the best of the blue glaze. It's a generation style, so it opens. This Chenghua blue glaze inherits Xuande's lineage and is more mature and stable than before. Although it is man-made, but the kiln fire into a device, if not the beautiful days, there is no such color meet people. In addition, at that time, the sapphire blue glaze was mostly found in the category of cups, bowls, plates and saucers, and it was very difficult to set up a piece. Therefore, this kind of ware could be said to have three talents in common. With the desk, we can see that the heart of literature is beautiful and the manpower is hard to be exhausted. High temperature blue glaze was created and fired in Jingdezhen kiln of Yuan Dynasty. It continued to be fired in Ming Dynasty, and its quality is getting higher and higher. The firing process is sophisticated. The blue glaze has thick texture and beautiful color, just like a blue gem. Therefore, it is called "sapphire blue glaze", which has rarely been handed down. Great collection value and artistic value!
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