雍正一朝虽仅十三年，但其瓷器质量高超，彩釉品种空前丰富，有青花、釉里红、青花釉里红、粉彩、斗彩、五彩、珐琅彩，以及各种颜色釉瓷。釉上釉下彩绘，高低温色釉无所不备，唐英《陶成纪事碑》记雍正彩釉达五十七种之多。其粉彩、珐琅彩、色釉及仿古瓷的艺术成就最高。器物造型丰富，圆、琢各式具备，制作精巧。器形俊秀典雅，瓷质莹润，胎薄体轻，胎质洁白。装饰纹样繁多，美不胜收，图案精美细腻，构图疏朗明快。 Yong Zheng, although only thirteen years, but its porcelain quality is super quality, colorful glaze variety is unprecedented rich, there are green flowers, glaze red, green flower glaze in red, pink, Gladio, color, enamel color, and various colors glaze porcelain. There are fifty-seven kinds of coloured glazes in Tang Ying's "Tao Cheng Ji Shi Bei", which are painted on the glaze and under glaze and painted by high and low temperature. Its artistic achievements of pastel, enamel, glaze and imitation porcelain are the highest. Utensils are rich in shape, round and cut with various styles and exquisite workmanship. Elegant, elegant, porcelain like, smooth, thin, light and white. Decorative patterns are numerous, beautiful, beautiful and delicate, and the composition is clear and bright.
此件雍正年制丹凤朝阳粉彩瓷盘直径：206cm高45cm
“丹凤朝阳”比喻贤才赶上好时机，是中国传统吉祥图案之一，也是征兆吉祥的雕刻和民间年画题材，寓有完美、吉祥、前途光明的涵意。丹凤为鸾的一种，首与翼皆赤。《禽经》：“鸾，首翼赤曰丹凤。”凤，传说为鸟中之王，象征美好、幸福；丹凤向阳，太阳具光明之意。纹饰以此构成，寓有完美、吉祥、明光的涵意。 "Danfeng Chaoyang" is one of Chinese traditional auspicious patterns. It is also one of Chinese traditional auspicious patterns. It is also an auspicious engraving and folk Year picture. It contains the meaning of perfection, auspiciousness and bright future. Danfeng is one of the Luan, the first and the wing are all red. "Bird Sutra": "Luan, the first wing of red and Phoenix." Phoenix, legend is the king of birds, symbolizes beauty and happiness; Dan Feng to Yang, the sun has a bright meaning. The ornamentation is composed of perfect, auspicious and bright light.
粉彩是清代彩瓷品种之一，始创于康熙年间，雍正、乾隆朝盛行，它以柔和细腻见长，有别于五彩的强烈色彩，又称为“软彩”。彩料中由于掺入铅粉，绘制时用分水法冲淡其色调，具有粉润秀雅的艺术风格，它善于表现形象的质感，对花叶蓓蕾、翎毛花卉的描绘十分工细，并使图案有阴阳向背的效果。 粉彩器在雍正时期已成为彩瓷的主流产品，其造型多样，装饰纹样丰富，绘制精湛。装饰图案常见山水、人物、花草、虫蝶纹等。施彩柔丽，构图疏雅简洁，纹饰纤柔，绘制工细，画风深受恽南田没骨法的影响，达到了“花有露珠，蝶有茸毛”的程度。许之衡《饮流斋说瓷》记有：“雍正花卉纯属恽派，没骨之妙可以上拟徐熙，草虫尤奕奕有神，几误蝇欲拂……”。陈浏《陶雅》有：“雍正官窑大小盘、碗白胜霜雪，既轻且坚，上画彩花数朵，每一朵横斜萦拂，袅娜多姿，笔法绝不板滞”的评价。 Pink color is one of the varieties of the Qing Dynasty color porcelain. It was founded in the years of Kangxi. It was popular in Yong Zheng and Qianlong Dynasty. It is very soft and delicate. It is different from the strong color of five colors, and it is also called "soft color". Due to the mixing of lead powder in the color material, the painting is diluted with water method and has a fine artistic style. It is good at showing the texture of the image. It is very delicate for the depiction of flowers and flowers of Beilei and feathers, and the pattern has the effect of yin and yang to the back.
In the period of Yong Zheng, the pastel ware has become the mainstream product of the colored porcelain, its modelling is diverse, the decoration pattern is rich, the drawing is exquisite. Decorative patterns are commonly seen in landscapes, figures, flowers, insects and butterflies. Sch Rou Ali, the composition is sparse and concise, the decoration is delicate, the drawing work is fine, the painting style is deeply influenced by Yun Nan Tian's no bone law, and has reached the degree of "flowers with dew, butterfly has hairy". Xu Zhi Yi "drink flow Zhai said porcelain" remember: "Yong Zheng flowers are pure Yun school, the mystery of the bone can be made to Xu Xi, the grass insects are particularly good for God, a few flies desire to brush...". Chen Liu "Tao Ya" has: "Yong Zheng official kiln size plate, bowl white to win frost snow, both light and hard, a number of painted flowers, each of the cross inclined to brush, graceful and graceful, writing method never slate" evaluation.
雍正粉彩丹凤朝阳纹盘多见二十公分的小盘，此器形制硕大离雅，釉彩浓淡相宜，构图疏密有致，纹饰寓意吉祥，保存完好，为雍正粉彩瓷的上乘佳作。陈浏《陶雅》有：“粉彩以雍正朝为最美，前无古人，后无来者，鲜艳夺目，工致殊常”的赞誉。 Yong Zheng's pink color Danfeng sun plate is more than twenty centimeters, the shape of this device is large and elegant, the glaze color is suitable, the composition is fine, the ornamentation is auspicious, the preservation is good, it is the best works of Yong Zheng's Pink porcelain. Chen Liu's "Tao Ya" has: "the pastel is the most beautiful with the Yong Zheng Dynasty, unprecedented, no future, bright and bright, and the work is unusual".
雍正粉彩瓷的呈色丰厚多变，色泽亮堂柔丽，彩料浓淡天然，粉质感强，新鲜灿烂，清雅秀美。在一件器物上用色达二十多种，同一种颜色又有浓淡深浅及阴阳向背之分，并且以油料调色，考究彩料的层次改变，画面粉润柔软，杰出画面的阴阳浓淡，胎体加工细密，质地细腻轻盈，皎白精致，轻重适度。釉面滋润匀净，平滑莹白，光亮无瑕赋有立体感。以传统题材为主，盛行缠枝花卉纹、花鸟纹、人物纹、山水纹等图画，规划不满密，显得意境悠远。 Yong Zheng's pastel porcelain is rich in color, bright and colourful, rich in color, natural in powder, strong in texture, fresh and bright, elegant and elegant. More than 20 kinds of color are used on a piece of utensil, the same color has a thick and shallow and yin yang to the back, and the color of the oil is colored, the color of the color is changed, the picture is soft and soft, the outstanding picture is thick and thin, the carcass is fine, the texture is fine and light, the white essence is fine and the light and light is moderate. The glaze is moist and smooth, smooth and white, bright and flawless, with a three-dimensional sense. With traditional themes as the main theme, flower binding patterns, flower and bird patterns, character patterns, landscape patterns and other paintings are popular.
所绘纹饰以花鸟草为主。画面都留有一定的空白，显示出深远和层次感。还有气势雄伟的山水画，笔法劲健，设色较为浅淡。雍正民窑粉彩的花卉、花鸟纹饰粗犷，色彩凝厚浓艳，胎体厚重，琢器的外底部多为砂底，雍正粉彩的造型极为丰富，无论是餐具、文具还是陈设品都很优美，一改康熙时古拙厚重之感。大型器规整不变形，小型器各部位处理严谨得当，反映当时制作技巧的高超。其青花款识六字二行者为专人书写，字体工整有力，青花色调纯正。六字三行者书写草率，而青花花押款、斋堂款则比较稀少。
The painted ornamentation is dominated by flower and bird grass. The pictures are left blank, showing a profound and hierarchical sense. There are magnificent landscapes, with strong strokes and lighter colors. Yong Zheng folk kiln pink flowers, flower and bird ornamentation rugged, thick color, thick, thick carcass, the outer bottom of the carcass is more sand bottom, Yong Zheng pink color is extremely rich, whether it is tableware, stationery or furnishings are very beautiful, a change of Kangxi's feeling of unclumsiness and heavy. The large device is regular and not deformed, and the parts of the minitype ware are dealt with rigorously and properly, reflecting the excellent production skills at that time. Its blue and white six words and two walkers are written for the special person, the font is neat and powerful, and the blue and white tones are pure. Six words, three travellers write hastily, while blue and white flowers are less scarce.
由于雍正在位只有短短的13年，雍正粉彩存世稀少，十分难得。粉彩瓷器从2000年开始，价位连年飙升，一直以来其价格就占据清瓷中的金字塔尖。特别是那些系出名门、流传有序或被藏家多年秘藏、鲜有露面的旷世稀珍现身市场，便会掀起一波竞购狂澜。
2000年香港苏富比春拍，一件清乾隆粉彩花蝶如意耳葫芦尊以3304.5万港元成交;2002年香港苏富比春拍中，一件清雍正粉彩蝠桃纹橄榄瓶以4150万港元成交;中国嘉德2006年春拍中，一件清乾隆粉彩开光八仙过海盘口瓶以5280万元成交。2009年北京保利春拍中，一件清雍正粉彩过枝菊蝶九秋盘，以300万起拍后，竞价声四起，终于以1187万元的成交价拍出，创造雍正粉彩盘的内地拍卖纪录;2010年中国嘉德一对清雍正粉彩牡丹蜻蜓碗，350万起拍，经过近二十分钟的争夺，以三倍于估价的1176万元成交;2011年香港苏富比瓷器专拍中，在苏富比的香港拍卖会上，一只雍正官窑粉彩蝠桃纹橄榄瓶，以4150万港元的惊人价格拍出，更是创下当时清代瓷器拍卖的世界记录。有统计数据显示，2011年拍卖市场上，共有23件雍正官窑瓷器的成交价格超过千万元，2013年4月8日，一件清雍正粉彩「蟠桃献寿」图圆盖盒最终拍出4380万的高价
今后几年，粉彩瓷的价格还将稳步攀升，其精品之作，更是升值空间无可限量。专家称，收藏瓷器，最好能收集到器型完整、造型独特、画工精细者，这类粉彩瓷器有很高的收藏价值和升值潜力
Because Yong Zheng has been in power for only 13 years, Yong Zheng's pastel is rare and rare. Pastel porcelain has been soaring since 2000, and its price has always occupied the tip of Pyramid in the Qing Dynasty. In particular, those who come out of the market, who are renowned for their fame, kept in order or have been kept secret for many years and rarely appear in the market, will trigger a wave of bidders.
In 2000, in Hongkong Sotheby's spring, a Qing Qianlong pink flower butterfly, like a gourd, made a deal of 33 million 45 thousand Hong Kong dollars; in 2002, in the spring of Hongkong Sotheby's spring, a clear Yong Zheng pink bat with a peach olive bottle was sold at HK $41 million 500 thousand. In 2009, Beijing Pauli spring pat, a clear Yong Zheng pink chrysanthemum butterfly nine autumn discs, after 3 million beat, bidding sound four, finally to 11 million 870 thousand yuan of sale price, to create the Yong Zheng pink plate inland auction record; in 2010, Chinese garde a Yong Zheng pink peony bowl, 3 million 500 thousand starts, after nearly twenty minutes of controversy In 2011 Hongkong Sotheby's porcelain auction, at the Hongkong auction in Sotheby's, a Yong Zheng official kiln pink bat with an olive flask at an amazing price of HK $41 million 500 thousand, made a record of the world's porcelain auction at the time of the Hongkong auction in Hongkong. Statistics show that in the 2011 auction market, a total of 23 Yong Zheng official kiln porcelain sold more than 10 million yuan, in April 8, 2013, a clear Yong Zheng pink color "flat peach birthday" picture round cover box finally took 43 million 800 thousand of the high price
In the next few years, the price of pastel porcelain will steadily increase, and the quality of its work is beyond limit. Experts say, collecting porcelain, it is best to collect the complete, unique modeling and fine painter. This kind of pastel porcelain has high collection value and appreciation potential.
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