中國快速城市化的當下，都市新人的家鄉老宅，區別於國外的獨棟住宅，成為歷史上可能最具有獨特性的居住單元。它承載著父輩的鄉村生活，同時也必須接納數個子輩家庭每個節日往來於城市和家鄉老宅，如候鳥遷徙。
With rapid urbanization in China today, the old homes of urban newcomers here, unlike individual houses abroad, have become the most unique residential units in history. It carries the rural life of the parents and must also embrace the families of the future generations who will travel between the city and their hometowns at each festival, just like migratory birds.
▼田野鳥瞰，village context ©施崢
▼俯視航拍，aerial view ©施崢
▼田間透視，view from the field ©施崢
▼油菜花中的建築，the building among the rape flower field ©施崢
▼正立面，main facade ©施崢
爺爺的柴米油鹽，父母叔伯的家鄉，和小朋友的年味，在每個春節時候達到一種飽和式的衝突混合。而這方方面面，都是候鳥之家需要探究的空間本質。在12*10米的基地內，人與人、人與家鄉的深層關係都通過感官轉化成為各種空間元素。魔方樓梯串聯起一樓圓桌大餐廳，二樓立體家庭廳，三樓陽光茶室，最後到達半遮半透的大露臺。室外的風景伴隨著連續通透的公共空間，步移景異，隨便一喊一家人都能聽到，每個窗外都是舊時稻田遠山，每步樓梯都有小孩的追逐身影。這些畫面是設計的核心理念。
▼剖面軸測圖，sectional perspective ©中國美術學院風景建築設計研究總院
Grandpa’s daily life, the hometown of parents and relatives, and children’s Spring Festival celebrations reach a saturated yet conflicting mix at each Spring Festival. All these aspects are the nature of space that the homes of migratory birds need to explore. In the 12*10-meter base, the deep relationship between people as well as people and hometown changes to various spatial elements through the senses. The Rubik’s Cube-like staircase connects the round dining table on the first floor, the three-dimensional family room on the second floor, the sunny tea room on the third floor, and finally the semi-transparent large terrace. The outdoor scenery is accompanied by continuous and transparent public spaces. As you move, scenery changes and anyone who yells can be heard by others. Outside each window are old rice fields and distant mountains, with children chasing each step of the stairs. These pictures are the core concepts of design.
▼入口和通高的玄關，entrance and the full-height hallway ©施崢
▼客廳與餐廳，drawing room and dining room ©施崢
▼客廳，drawing room ©施崢
▼起居室，living room ©施崢
▼流動的樓梯，the flowing stairs ©施崢
▼樓梯與天窗，the stairs and the skylight ©施崢
▼茶室，tea room ©施崢
▼頂層公共空間，public space on the upper floor ©施崢
▼閱讀空間，reading area ©施崢
▼藝術展廊，gallery ©施崢
▼露臺與閱讀空間，terrace and reading area ©施崢
▼露臺，terrace ©施崢
▼主臥，master bedroom ©施崢
▼次臥，secondary bedroom ©施崢
生態設計仍然是鄉村建築營造的主旋律，木、石、泥、草仍然是鄉村田舍的原材料。傳統木屋架豐富了建築細節，吸引燕雀歸來；外牆摻入稻草的質感塗料以及當地石材的基座依舊與屋前水田親近；院子裡的菜圃就是鮮活的生活。就地取材是成本控制的關鍵，低廉的造價讓生態設計具有普適性意義。
Ecological design still remains the major theme of rural buildings, and wood, stone, mud and grass are still raw materials for rural farmhouses. The traditional wooden roof frame enriches the architectural details, attracting swallows and sparrows; the texture coating of the outer wall mixed with straw and the base of local stone are still close to the paddy field in front of the house; the vegetable garden in the yard represents a lively life. Taking materials locally is the key to cost control, and the low cost makes ecological design universal.
▼水田與夕陽下的建築，the house facing the paddy field ©施崢
▼立面材質細節，facade material ©施崢
▼夜間外觀局部，exterior view by night ©施崢
▼建築背立面，the rear facade ©施崢
一個三代人大家庭旋轉在屋簷下庭院間，燕歸，人還，看春來。就是中國鄉村自建房的生命力。
A large family of three generations revolves in the courtyard under the eaves. You can see swallows flying and people returning. You can embrace spring as well. This is exactly the vitality of self-built houses in rural China.
▼整體鳥瞰，aerial view ©施崢
▼草圖和建造過程，sketches and construction photos ©中國美術學院風景建築設計研究總院
▼總平面圖，site plan ©中國美術學院風景建築設計研究總院
▼剖面軸測圖，sectional axon ©中國美術學院風景建築設計研究總院
▼剖面圖，section ©中國美術學院風景建築設計研究總院
▼一層平面圖，plan 1F ©中國美術學院風景建築設計研究總院
▼二層平面圖，plan 2F ©中國美術學院風景建築設計研究總院
建築事務所/公司/機構/單位：中國美術學院風景建築設計研究總院
公司所在地：中國浙江省杭州市西斗門路18號
建成時間：2019年5月
建築面積: 400㎡
用地面積：800㎡
造價：95萬（土建45，室內40，景觀10）
項目地址: 中國浙江省龍游後山頭村
主創建築師: 陳夏未、金拓
攝影師：施崢
項目參與者
設計團隊: 柯禮鈞、王凱、沈俊彥 、周建正
室內設計：陳夏未，金拓
軟裝設計：黃志勇，王傑傑
景觀設計：陳夏未，肖鉗平
委託方: 周珊
施工方: 當地工匠
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