磁州窯是中國傳統制瓷工藝的珍品，中國古代北方最大的民窯體系，也是著名的民間瓷窯，有“南有景德，北有彭城”之說。磁州窯創燒於北宋中期，並達到鼎盛，南宋、元明清仍有延續。窯址在今河北省邯鄲市峰峰礦區的彭城鎮和磁縣的觀臺鎮一帶，磁縣宋代叫磁州，故名。
Cizhou kiln is a treasure of China's traditional porcelain making process. It is the largest folk kiln system in the north of ancient China, and also a famous folk kiln. It is said that "there is Jingde in the South and Pengcheng in the north". Cizhou kiln was established in the middle of the Northern Song Dynasty and reached its peak. It continued in the Southern Song Dynasty, yuan and Ming and Qing Dynasties. The kiln site is located in Pengcheng town and Guantai town of Cixian County, Fengfeng mining area, Handan City, Hebei Province. Cixian county was named Cizhou in Song Dynasty.
磁州窯的匠師們吸收了傳統的水墨畫和書法藝術的技法，創造了具有水墨畫風的白地黑繪裝飾藝術，開啟了中國瓷器彩繪裝飾的先河。
The craftsmen of Cizhou kiln absorbed the techniques of traditional Chinese ink painting and calligraphy art, created the white and black painting decorative art with the style of ink painting, and opened the precedent of Chinese porcelain color painting decoration.
磁州窯品種諸多，以白地黑花（鐵鏽花）、刻劃花、窯變黑釉最為著名。它的裝飾技法突破了當時流行的五大名（官）窯（汝、官、鈞、哥、定）的單色釉侷限，運用了數十種豐富多彩的裝飾技法。1998年3月，元代的磁州窯黑釉剔花玉壺春瓶從英國追回。
There are many kinds of Cizhou kilns, among which white ground black flower (rust flower), engraved flower and black glaze are the most famous. Its decorative techniques broke through the limitations of the five popular kilns (Ru, Guan, Jun, Ge, Ding), and used dozens of colorful decorative techniques. In March 1998, the spring bottle of Cizhou kiln with black glaze and flower picking in the Yuan Dynasty was recovered from England.
磁州窯是中國古代北方最大的一個民窯體系，也是著名的民間瓷窯，窯址在今河北省邯鄲市峰峰礦區的彭城鎮和磁縣的觀臺鎮一帶，磁縣宋代屬磁州，故名。據考察，磁州窯創燒於北宋中期，並達到鼎盛，南宋、遼金元、明清仍繼續燒製，燒造歷史悠久，具有很強的生命力，流傳下來的遺物也多。
Cizhou kiln is the largest folk kiln system in ancient North China, and also a famous folk kiln. The kiln is located in Pengcheng town of Fengfeng mining area in Handan City, Hebei Province and Guantai town of Cixian county. Cixian county belongs to Cizhou in Song Dynasty, hence its name. According to the investigation, Cizhou kiln reached its peak in the middle of the Northern Song Dynasty. It continued to be fired in the Southern Song Dynasty, Liao, Jin, yuan and Ming and Qing Dynasties. The firing has a long history, strong vitality and many relics handed down.
磁州窯的器型和紋飾為民間所喜聞樂見，影響範圍較廣，發展迅速。北方各地紛紛仿製，中心窯場以邯鄲市的觀臺鎮為中心，形成了一個龐大的磁州窯體系。主要分佈在河南鶴壁集窯，修武當陽峪窯，禹縣的扒村窯，登封曲河窯，山西介休窯，霍縣窯，山東淄博窯，江西吉安吉州窯，福建泉州，四川廣元等，都大量燒造與磁州窯風格相近似的瓷器。
Cizhou kiln's shape and decoration are popular among the people, with a wide range of influence and rapid development. In the northern part of China, there are many imitations. The central kiln takes Guantai town of Handan City as the center, forming a huge Cizhou kiln system. They are mainly distributed in Hebi kilns in Henan, Dangyangyu kilns in Xiuwu, Bacun kilns in Yu County, Quhe kilns in Dengfeng, Jiexiu kilns in Shanxi, Huoxian kilns, Zibo kilns in Shandong, Jizhou kilns in Ji'an in Jiangxi, Quanzhou in Fujian, Guangyuan in Sichuan, etc., all firing a large number of porcelain similar to Cizhou kilns.
歷史上有關宋代磁州窯瓷器的文獻記載，宋代尚未見到，主要集中出現在明清兩朝。明代初年有曹明仲的《格古要論》、王佐《新增格古要論》、謝肇制《五雜俎》、清初《磁州志》、《明會典》、朱琰《陶說》、蘭浦《景德鎮陶錄》和許之衡的《飲流齋說瓷》等書，磁州窯瓷器在造型、釉色、燒造地及工藝特色等方面均有不同程度的記載和描述。
According to the historical records of Cizhou kiln porcelain in Song Dynasty, it has not been seen in Song Dynasty, mainly in Ming and Qing Dynasties. In the early Ming Dynasty, there were Cao Mingzhong's gegu Yaolun, Wang Zuo's new gegu Yaolun, Xie Zhao's wuzazu, Cizhou annals, minghuidian, Zhuyan's Taoshuo, Lanpu's Taolu of Jingdezhen and Xu Zhiheng's yinliuzhai Shuo porcelain. Cizhou kiln porcelain wares were recorded and described in different degrees in terms of shape, glaze color, firing place and process characteristics 。
磁州窯是中國著名的民間陶瓷窯系，位於今河北省邯鄲市彭城和磁縣等地，是北方陶瓷的代表。素有“南有景德，北有彭城”之說。磁州窯是宋代成就突出，富有民間特色的瓷窯。
Cizhou kiln is a famous folk ceramic kiln system in China. It is located in Pengcheng and Cixian, Handan City, Hebei Province. It is the representative of northern ceramics. Known as "Jingde in the south, Pengcheng in the north". Cizhou kiln is a porcelain kiln with outstanding achievements and folk characteristics in Song Dynasty.
磁州窯系龐大黃河南北均有此類風格製品，清末民初，此窯大量生產青花製品，覆蓋華北華南廣大地區，蘭花花碗、盤等用品。代表民間青花的盛世。現代已成為中國最大的瓷區之一，其產品深受世界各國人民喜愛。具有極高的欣賞、收藏、使用價值。
Cizhou kiln has such style products in the north and south of the Yellow River. At the end of the Qing Dynasty and the beginning of the Republic of China, this kiln produced a large number of blue and white products, covering the vast areas of North China and South China, such as orchid bowls and plates. Represents the flourishing age of folk blue and white. Modern China has become one of the largest porcelain areas in China, and its products are loved by people all over the world. It has a high value of appreciation, collection and use.
位於磁州地區的峰峰先民們，早在7500年前便開始了燒製陶器，彭城以北20公里的磁山新石器時期的遺址，曾出土過大量的夾砂褐陶和紅陶器，中國社會科學院將其命名為“磁山文化”。從而確定了這個地區作為古老陶器發祥地的歷史地位。
Fengfeng ancestors in Cizhou started to make pottery as early as 7500 years ago. At the Neolithic site of Cishan, 20 kilometers north of Pengcheng, a large number of brown pottery and red pottery with sand were unearthed, which was named "Cishan culture" by the Chinese Academy of social sciences. Thus, the historical position of this area as the birthplace of ancient pottery is determined.
兩晉南北朝時期，彭城、臨水地處中原經濟文化最發達的地區，成為京師鄴城臨漳西郊的名勝之地。陶冶技術也趨於成熟，已經燒製出了青瓷和化妝白瓷，完成了由陶向瓷的飛躍。
In the southern and Northern Dynasties, Pengcheng and Linshui were located in the most developed economic and cultural area in the Central Plains, and became the scenic spot in the western suburb of Linzhang, the capital of Yecheng. Ceramic technology is also maturing, has produced celadon and white porcelain, completed the leap from pottery to porcelain.
到了宋代，磁州窯開始步入興盛時期。磁州窯是宋代北方民間瓷器的典範，無論在造型或裝飾上都著眼於實用、美觀和經濟。在長期的陶與瓷的實踐中，逐漸形成了獨特風格與特徵（即白化妝技法），多用統一的造型、獨特的裝飾技藝構成了磁州窯產品的風格體貌，體現出地方特點、民族風格和時代特色。
By the Song Dynasty, Cizhou kiln began to enter a period of prosperity. Cizhou kiln is a model of folk porcelain in the north of Song Dynasty, which focuses on practicality, beauty and economy in both modeling and decoration. In the long-term practice of pottery and porcelain, it has gradually formed a unique style and characteristics (i.e. white make-up technique). The style and appearance of Cizhou kiln products are composed of unified modeling and unique decoration techniques, reflecting the local characteristics, national style and characteristics of the times.
Its products are mostly necessary daily life dishes, bowls, cans, bottles, basins, boxes and other appliances, fluent lines, free and unrestrained, showing the bold and simple style common to folk art. In Song Dynasty, Cizhou kiln absorbed a wide range of subjects, formed a variety of meanings. And the ceramic art and art blend together, ceramic artifacts to a new artistic realm, creating a new era of ceramic art.
磁州窯的匠師們吸收了傳統的水墨畫和書法藝術的技法，創造了具有水墨畫風的白地黑繪裝飾藝術，開啟了中國瓷器彩繪裝飾的先河，它那一氣呵成的嫻熟畫藝，令許多藝術大師歎為觀止。
The craftsmen of Cizhou kiln absorbed the techniques of traditional ink painting and calligraphy art, created the white and black painting decoration art with ink painting style, and opened the precedent of Chinese porcelain color painting decoration. Its one-off and skillful painting art amazed many art masters.
到了元代，彭城地區的磁州窯又掀起了一個制瓷高潮，除繼承宋金時期傳統品種外，又擴大了生產規模，大型器物的生產也增多。產品趨向厚重，器型碩大、圓渾，紋飾主要有云龍、雲風、雲雁和魚藻紋等。
n the Yuan Dynasty, Cizhou kiln in Pengcheng area set off a climax of porcelain making, which not only inherited the traditional varieties of song and Jin Dynasties, but also expanded the production scale and increased the production of large-scale artifacts. The products tend to be thick and heavy, with large and round shape. The patterns mainly include Yunlong, Yunfeng, Yunyan and yuzao patterns.
磁州窯以生產白釉黑彩瓷器著稱於世，黑白對比，強烈鮮明，圖案十分醒目，刻、劃、剔、填彩兼用，並且創造性地將中國繪畫的技法，以圖案的構成形式，巧妙而生動地繪製在瓷器上，具有引人入勝的藝術魅力。它開創了我國瓷器繪畫裝飾的新途徑，同時也為宋以後景德鎮青花及彩繪瓷器的大發展奠定了基礎。
Cizhou kiln is famous for producing white glaze and black color porcelain. It has a strong contrast between black and white. The pattern is very eye-catching. It can be carved, scratched, carved and filled with color. Moreover, it creatively draws the techniques of Chinese painting on the porcelain in the form of pattern composition, which has an attractive artistic charm. It created a new way of Chinese porcelain painting and decoration, and laid a foundation for the great development of Jingdezhen blue and white porcelain and painted porcelain after the Song Dynasty.
磁州窯的釉色較為豐富，有白釉、黑釉、醬釉和綠釉等。尤以白釉最為出名。
Cizhou kiln is rich in glaze colors, including white glaze, black glaze, sauce glaze and green glaze. Especially white glaze is the most famous.
磁州窯在中國陶瓷發展史上的獨特貢獻有兩點：其一是白地黑褐彩繪，把傳統的書畫藝術與制瓷工藝結合在一起；其二是把詩詞、諺語、警句和文學作品作為紋飾，這是很有歷史價值的文化遺產。
There are two unique contributions of Cizhou kiln in the development history of Chinese ceramics: one is the white black brown painting, which combines the traditional painting and calligraphy art with the porcelain making process; the other is to use poems, proverbs, epigrams and literary works as decorations, which is a cultural heritage of great historical value.
磁州窯的製品構圖嚴謹，典雅古樸，形象生動活潑，情趣盎然，展現了宋元時期的社會風俗，為研究這個時期的民間繪畫等藝術提供了豐富的資料。
Cizhou kiln's products are rigorous in composition, elegant and simple, vivid in image and full of interest, showing the social customs of song and Yuan Dynasties, and providing rich materials for the study of folk painting and other arts in this period.
專家推薦：該器為圓口，腹部微微鼓起，通體以白釉繪黑花紋飾做裝飾，腹部紋飾花卉紋。白地繪黑花紋飾是宋代磁州窯系中最具時代風格的裝飾，其粗獷豪放的畫意，黑白色調對比鮮明的配色，國外學者稱其為“磁州窯型”。進而風靡世界。該罐畫筆流暢自然，在黑色圖案中刻劃白色釉體，使圖案具有較強的立體感。整器古樸端莊，形象刻畫細緻入微，栩栩如生，自然傳神，製作精緻工整。瓷枕修胎規整，瓷質堅硬，胎骨老道，在磁州窯系中屬於較為精美的一件器物。
Experts recommend: the device is round mouth, the abdomen is slightly bulging, the whole body is decorated with white glaze painted black flower pattern, and the abdomen is decorated with flower pattern. Baidi painted black flower decoration is the most modern decoration in Cizhou kiln system of Song Dynasty. It has a rough and bold painting meaning and a distinctive color matching between black and white. Foreign scholars call it "Cizhou kiln type". And then swept the world. The painting brush of the pot is smooth and natural, and the white glaze body is carved in the black pattern, so that the pattern has a strong three-dimensional sense. The whole device is simple and dignified, the image is detailed, lifelike, natural and vivid, and the production is exquisite and neat. The porcelain pillow has a regular body, hard porcelain, and old bone. It is a more exquisite artifact in Cizhou kiln system.
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