秩序 | Order
蕉嶺棚屋落座在粵北地區的田野之間。作為一間鄉村客廳，它完全開放，提供村民閒聚、暫留的可能，又具備一定的對外展示功能。
Jiao Ling Cabin is located in the midst of farmlands in the northern Guang Dong province. It is designed to be an open “living room” for villagers, and can be served as an exhibition space.
▼鳥瞰圖，Aerial view ©趙奕龍
▼建築外觀，Exterior view ©趙奕龍
▼連接與對話，Connection and conversation ©趙奕龍
我們試圖通過這次實踐，實驗一種新秩序的可能性。這種新秩序來自兩個類型的結合，一種是蕉嶺地區最普遍的傳統建築：圍龍屋。另一種是當地大量出現的民間自發建構：屋頂棚子。
We experimented a combination of two styles in this project: a common local traditional architecture style– “Wei Long” house, and roof shades built by the locals.
▼棚子調研，Research on roof shades built by the locals ©造作建築工作室
組織 | Organization
在設計起始之前，原場地東側已有一組相對完好的老祠堂。我們將其與門前的池塘保留，作為軸心，其餘的破敗房屋需拆除重建。
We preserved the ancestral shrine and the pond to the east of the site, which serve as the axis of the project; and demolished other run-down structures.
▼場地組織，Site organization ©造作建築工作室
根據半圓軸心的輻射，我們讓新建築在南、西、北三側建立圍合，西南角入，西北角出，新老建築間的過渡區域形成內院。
The new structure is designed with a “C” shape according to the radial axis, where its southwest corner serves as the entry and northwest corner as exit. The transitional area between the old and new becomes a courtyard.
▼總平草圖，General plan sketch ©造作建築工作室
▼場地俯瞰，Site overlooking ©趙奕龍
這是一個自然而然的精神場所。在客家民居體系中，水是最重要的精神要素之一，所以我們決定在此放置一個淺水魚塘。再以塘邊閒亭的方式，重塑原本位於此處的破敗房屋。
Water is an important spiritual element for the locals, so we decided to add a shallow fishpond, and in turn, reproduced the place’s original ambience with thoughtful placemaking – a place of spiritual significance.
▼內院，The courtyard ©趙奕龍
這個閒亭以生土營造技術作為“圍合”，以框砼作為“骨架”，再通過T型鋼挑件，使木構屋頂架於其上。
The cabin uses traditional rammed earth as its skin, reinforced concrete frame as its bones, and T shaped steel beams to support its wooden roof fafters.
▼亭子爆炸圖，Diagram ©造作建築工作室
▼閒亭光影，The cabin ©趙奕龍
再造 | Rethink
在此之上，我們增加了兩則在田野調查中發現的，有趣的偶然機制。一是“屋頂斜線”。我們將新建築的三段屋頂都附於不同的屋脊斜率與簷口斜率，同時互相覆蓋疊加。試圖利用這種屋簷屋脊的不平行關係，破壞固化的村落天際線。
In addition, we added a couple of interesting features found during our field study – All three roofs have overlapping, slanted roof ridges and soffits. They help to break the monotonous skyline of the village.
▼“屋頂斜線”，打破固化天際線，Slanted roof ridges， break the monotonous skyline of the village ©趙奕龍
▼屋頂細部，Detailed views of the roof ©趙奕龍
其二是“立面遞進”。即將每一開間作為一個單元體，沿著軸線按一定規律變化，形成立面構成規則。隨著屋頂的傾斜，建築正製造著自己的韻律。
▼立面草圖，Facade sketch ©造作建築工作室
▼牆身軸測，Axonometric drawing of the wall ©造作建築工作室
The other feature is the progressive transition of facade – the exterior of each bay turns slightly from the next, creating a unique rhythm with the slanted roof.
▼“立面遞進”，韻律，The progressive transition of facade ©趙奕龍
▼牆身大樣，Wall details ©造作建築工作室
棚屋 | Cabin
出於對建築語意的來源與再創造的糾結，我們在建造過程中嘗試了多重的不確定性，試圖探討精神、屋頂、圍合與地臺的關係：池塘與地臺的融合方式；不同斜率、挑簷、遮蔽率的屋頂覆蓋；木構、竹編、磚砌，配合不同梯度、摺疊的編織方式等等。
Trying to find the origin of, and the appropriate interpretation of the architectural semantics, we experimented with a variety of ways to understand relationships – spirit, roof, enclosure and ground plane; the connection between the fishpond and its surrounding pavement; different slopes of the roof and their opening percentage; the dialogue between wood, bamboo, masonry; and their interpolation.
▼閒亭，對不同工藝的探討，The cabin，discussion on different craft ©趙奕龍
▼廊橋私語，The corridor and bridge ©趙奕龍
▼竹橋——螺旋穿梭，Shuttle in the bamboo bridge ©趙奕龍
▼竹構——編織光影，Bamboo cage，weaving light and shadow ©趙奕龍
最終，我們還是將其呈現出來。期待歲月之後，它可以逐漸被鄉村消解、同化。
We put the building together, with the hope that it will eventually be weaved and absorbed into the dynamic fabric of the country side
▼西望，View from the west field to the building ©趙奕龍
▼竹構節點，Bamboo landscape structures ©趙奕龍
▼肌理總圖，Site texture ©造作建築工作室
▼場地總圖，Master Plan ©造作建築工作室
▼一層平面，1F plan ©造作建築工作室
▼二層平面，2F plan ©造作建築工作室
▼立面圖和剖面圖，Elevations and sections ©造作建築工作室
▼場地剖透視圖，Site sectional perspective view ©造作建築工作室
▼竹構節點，Bamboo landscape structures ©造作建築工作室
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