唐詩之美,概在詞義!想當年可是羌笛琵琶,錦瑟箜篌,可惜至今如同《詩經》一般,聲色皆盡,獨盛文章。盛唐之風月,該如何領略?
幸好有現在不老的曲調,多聽,多思,多聯想!
譬如說《望月懷遠》。“海上生明月,天涯共此時。情人怨遙夜,竟夕起相思。滅燭憐光滿,披衣覺露滋。不堪盈手贈,還寢夢佳期。”一輪明月牽連起兩地相思,想見而不能相見,唯有一捧月光相贈,期望在夢中相會。
聯想到現代的音樂之中居然也有此情此景。馬修連恩的《佈列瑟農》十分相近。淺淺幾行歌詞,寫出了他在佈列瑟農仰望星空,懷念在布諾的情人。星光璀璨,明月初升。雖不忍離去,但也只能將明月與星空留下來陪伴她,自己乘車獨行。曲調纏綿,哀而不傷,在曲子之中編入了火車和蘇格蘭風笛,使曲子宛如天籟。
Here I stand in bressanone
with the stars up in the sky
are they shining over brenner
and upon the other side
You would be a sweet surrender
I must go the other way
and my train will carry me onward
though my heart would surely stay
wo my heart would surely stay
Now the clouds are flying by me
and the moon is on the rise
I have left stars behind me
they were disamonds in your skies
you would be a sweet surrender
此詞與望月懷遠多麼相近!且將曲子當作盛唐之聲吧!
當領悟《佈列瑟農》唱詞時,發現《風繼續吹》講述的不也是同樣的故事嗎?馬修連恩是星空和明月,張國榮是海風和野火。青天與碧海,一種別離,卻有不同的閒愁!正如李商隱的《嫦娥》詞:“雲母屏風燭影深,長河漸落曉星沉.嫦娥應悔偷靈藥,碧海青天夜夜心。”這首嫦娥,當以這兩首曲子一般去感悟她了!
閱讀更多 觀魚惜朝 的文章