中華人民共和國成立71週年來臨之際，我們特別推出著名愛國藝術家劉克冰愛國擁軍專題展播，接下來跟隨我們的鏡頭走進劉克冰老師的藝術世界，感受這份濃重的愛國心赤子情。
On the occasion of the 71st anniversary of the founding of the founding ceremony of the People's Republic of China, we present a special exhibition on patriotic artist Liu kebing's patriotic army support, to feel this deep sense of patriotism.
藝術簡介
劉克冰 字乃公。1932年出生北京，1952年畢業於河南美專。一生從事美術教育，國家一級美術師。是當代在詩詞，書法，國畫三方面均獲多項終身成就獎的實力派藝術家。 詩、書、畫三者相輔相成，共同造就了劉克冰的藝術世界。
劉老師從國畫大師李可染和何海霞先生，其山水畫意境深遠，極具神韻，氣勢磅礴，筆墨凝重；書法習王羲之和文徵明等文稿，以意賦形，形意結合，行雲流水，飄逸灑脫，更形成自己獨有的兼容篆隸楷行草的書法風格。其自幼習詩，深受北大教授父親劉肅章的薰陶，詩詞作品講究格律，情真意切、文采斐然。
精深的藝術涵養，淵博的學識，形成了他詩書畫並重，傳統與現代高度融合的美好風格。其詩詞被錄入《中國曆代詩詞家辭典》和《中國古今絕句選》。多幅書畫作品被選入《中國藝術百年》…等刊物。被評為＂中國最具傳奇色彩藝術家＂，最具關注價值藝術家…”。近年來，其書法作品尤為廣泛關注。
如今，劉克冰先生已近90高齡，他為藝術投入了畢生心血， 他的書畫作品反映了他的藝術人生，具有很高的藝術欣賞和收藏價值。
劉老在西安和上海等地舉辦的個人書畫展，得到國內外文化界的廣泛關注和讚賞。其百餘幅書畫作品被海內外文化機構和文化友人收藏！
A brief introduction to the art of Liu Kebing. Born in Beijing in 1932, he graduated from Henan American College in 1952. He has been engaged in art education all his life. He is a national first-class artist. Is Contemporary in poetry, calligraphy, Chinese painting three aspects have been awarded a number of life-long achievements of the strength of the artists. Poetry, calligraphy and painting complement each other and together create the artistic world of Liu kebing. From the masters of Traditional Chinese painting such as Li Keran and he Haixia, Liu's landscape paintings are profound, full of Verve, magnificent and dignified in style; from the calligraphy of Wang Xizhi and Wen Zhengming, they combine form with form, flowing water and flowing clouds, elegant and free and easy, it also forms its own unique calligraphy style compatible with seal, official>
作品欣賞：
老夫喜作黃昏頌
滿目青山夕照明
文 / 周金彪
耄耋之年的老畫家劉克冰先生，主攻山水，兼工花鳥。不僅如此，劉老先生詩、書、畫皆成就斐然。其精湛的造詣一是出自書香門第、緣於父親（原北大教授劉肅章）的嚴教，二是師從謝瑞階、李可染、何海霞三位大師時所獲真傳，三是“博觀而約取，厚積而薄發”的結果。
先生三歲始在其父的啟蒙下吟詩臨帖，1952年時畢業於河南美專，隨後來西安教學，從事了50多年的美術教育工作。先生活到老學到老，筆耕不輟，學養深厚，品格高尚。因而在評論或欣賞他的畫作時，我認為須先從其詩、書談起方能始有所悟。
“歲末初睜眼，凌寒燦若金。颯然風霜裡，清氣滿乾坤。”五絕《菊頌》，此詩當可看出先生對生活的樂觀感受。其《登臨曲》“華山近帝京，登臨驚崔巍。懸象山青岫，巔峰接紫虛。林深說道器，雲起群鳶飛。誰持干鏚舞？申時攜劍歸。”足能說明先生深諳中國古代哲學範疇的“道”“器”之辯，其中“誰持干鏚舞？”假陶淵明“猛志固常在”以抒發自己“老驥伏櫪，志在千里；烈士暮年，壯心不已。”的昂揚情懷。在七律《硯邊詩話•讀金祿詩詞有感》中有“每憑字句動魂魄，莫道詩詞遜孔方。”的詩句，凸顯了先生對學養的追求和對拜金主義的不屑。其七律贈摯友：“黌下憶昔讀華章，他山伊水有餘響。人間正氣塞蒼莽，世間奸邪墜洳場。百年潮汐石可爛，千秋風雨詩韻長。不忘同舟共楫日，猶效子瞻唱大江。”表現出了先生一身正氣以及如蘇軾一樣的豪邁與曠達。
看過劉克冰書法的人都知道，先生猶以行草為勝。先生習王羲之，文徵明文稿，以意賦形，形意結合，行雲流水，飄逸灑脫；其章法嚴謹卻毫不古板，筆法遒勁又不失靈動。其風格十分明顯：變化多端而又凝重大氣。所謂“腹有詩書氣自華”，先生的書法恰能體現出其“文以載道”的氣質與氣概。
對於山水畫家劉克冰先生來說，詩、書、畫三者相輔相成，共同造就了他的書畫世界。先生以他從容、舒緩、通達的筆墨，以及渾厚、靜遠和廣大的佈局，充分表達出一個思想者的文化情緒。氣韻獨到的山水意境、師古不泥的筆墨技法，深得李可染、何海霞之韻意；墨色層出、意境萬千的藝術風貌，又完美呈現出傳統山水之精髓。先生為藝術創作投入了畢生心血，他的書畫作品在獨自潛修的自我超然之中，更加圓熟老辣、渾然天成。他的作品既有古雅的趣味，又有現代的情懷，蒼茫的歷史感從畫面上噴湧而來，把觀者罩在一個歷史與現代交匯的時空中，使人們體驗著宇宙的靜止與運動的辯證之意境。謝赫六法中的“氣韻生動”是先生山水畫的畢生追求，也是他的典型特點。一個沒有經過深厚的文化薰陶的畫家，是難以企及此種境界的。
在創作過程中，劉克冰常常以自然形態為依託，取天地蒼茫之氣象，因心造境、因物造境、因材料造境，打破了傳統的筆墨成法，改變了固有的皴擦點染程式。他甚至有意忽視“山水”這個概念，而從藝術本質出發，消解山水的地域性和具體性而取其本質，通過看似隨意的點線面變化，把山水畫的視覺語言帶入了一個寬闊的場地。對畫家來說，山川丘壑的佈局早已經瞭然於胸，哪些應該突出，哪些應該忽略都已經非常清楚。然而落實到畫面上，卻又拋棄了一些具體物象，如山石、樹木、亭榭等，而取其筆墨本質。他完全關注繪畫本體語言，僅僅依靠酣暢淋漓的筆墨和寫意精神，把這些藝術元素重新組合在一起。正是所謂“外師造化，中得心源”的具體體現。
說到此，劉克冰先生的詩、書、畫似乎恰可用另一種意義上的“精”、“氣”、“神”來比喻。詩歌是他精神世界最具文化精髓的代表，書法是他文人氣質氣概的凸顯，繪畫則是他因“畫有擔當”神聖使命感而常有神來之筆的展現。記得年逾80高齡劉老先生常提起老師何海霞先生於繪畫常說的一句話：“八十起步”因而我想起了人稱儒帥葉劍英元帥的七律《八十抒懷》，用葉帥的詩作為這篇文章的結尾，以詩中的結尾作此文的題目，我認為是在恰當不過的了—— 葉劍英《八十抒懷》
八十毋勞論廢興，
長征接力有來人。
導師創業垂千古，
儕輩跟隨愧望塵。
億萬愚公齊破立，
五洲權霸共沉淪。
老夫喜作黃昏頌，
滿目青山夕照明。
Old Master Liu Kebing, an old painter in his 80s, specializes in landscapes and works on flowers and birds. Not only that, Mr. Liu's poetry, calligraphy, painting are outstanding achievements. His superb attainments came from his scholarly family and his father (Liu Suzhang, a former professor at Peking University) , Yan Jiao, as well as from the true teachings of Xie Ruijie, Li Keran and he Haixia, three great masters, third, "broad view and about, thick product and thin hair" the result. He graduated from Henan Art College in 1952, and later came to Xi'an to teach, engaged in more than 50 years of art education. Mr. Life to the old learning to the old, pen-farming, deep learning, noble character. Therefore, when commenting on or appreciating his paintings, I think we should start from his poems and books before we can have an understanding of them. "At the end of the year, I opened my eyes. Ling Han can be gold. Sa Ran Feng Shuang Li, Qingqi Man Gan Kun. " Five unique "Ju Song" , this poem when you can see the optimistic feeling of life. His "boarding song" , "near the emperor of Mount Hua, boarding Cui Wei. Hanging Elephant Mountain Green Xiu, purple virtual peaks. Lin Shen said, the clouds rise and the kites fly. Who holds the GANQI DANCE? Shenshi returned with his sword. " It shows that he is well versed in the debate of "Dao" and "Qi" in the category of ancient Chinese philosophy, among them, "who holds the GANQI DANCE? " False Tao Yuanming "Mengzhiguchangzai" in order to express his "old prime minister, ambition in thousands of Li; martyr old age, strong heart. In the Qilu Poem "Yan Bian Shi Hua" , there are "every word moves the soul, Mo Dao's poetry is inferior to Kong Fang. " The poem highlights his pursuit of education and his disdain for money worship. Its seven laws to his best friend: "The next memory of the past chapter, He Shan Yi water more than ring. ". The world is full of righteousness, and the world is full of evil. Century tide stone can be rotten, thousands of wind and rain rhyme length. Do not forget to share the same boat day, still effective son sang the river."showed that Mr. a body of integrity and as bold and broad-minded as Su Shi.". Anyone who has seen Liu kebing's calligraphy knows that he still wins by running grass. Mr. Xi Wang Xizhi, Wen Zhengming's manuscript, with the meaning of shape, form and meaning combination of flowing water, elegant and free and easy; its rules are rigorous but not rigid, the writing style is strong and flexible. Its style is very obvious: Changeable and heavy atmosphere. The so-called "poetry and calligraphy from China" , Mr. Calligraphy can reflect its "literature to carry the way" temperament and spirit. For landscape painter Liu Kebing, poetry, calligraphy and painting complement each other and together create his world of calligraphy and painting. With his calm, slow, accessible writing, as well as vigorous, calm and broad layout, fully express a thinker's cultural emotions. The unique artistic conception of mountains and waters and the unique technique of painting and ink, which are inspired by Li Keran and he Haixia, perfectly present the essence of traditional mountains and waters. Mr. a devoted his life to art creation, his paintings and calligraphy work in the self-detachment of self-cultivation, more mature and sophisticated, seamless nature. His works are both quaint and modern, with a vague sense of history pouring from the screen, enveloping the viewer in a space-time where history meets modernity, it makes people experience the dialectical artistic conception of the quiescence and motion of the universe. The "vitality and vividness" in Sheikh's six methods is his lifelong pursuit of landscape painting, and also his typical characteristics. It is difficult for a painter who has not been deeply influenced by culture to reach this kind of state. In the process of creation, Liu kebing often relies on the natural form and takes the boundless atmosphere of the world. He breaks the traditional method of writing and changes the intrinsic formula of rubbing and dyeing. He even deliberately ignored the concept of "landscape" , starting from the essence of art, dispelling the regionality and concreteness of landscape and taking its essence by seemingly random changes of points, lines and surfaces, the visual language of landscape painting into a wide field. For the painter, the layout of the mountains and valleys is already clear in his mind, which should stand out and which should be ignored. However, to the screen, but also abandoned some specific objects, such as rocks, trees, pavilions and so on, and take its essence of ink. He paid full attention to the NOUMENON language of painting, only relying on the flowing ink and freehand spirit to put these artistic elements together again. Is the so-called "outside the division of fate, in the heart of the source, " the specific embodiment. Speaking of this, Mr. Liu Kebing's poetry, calligraphy, painting seems to be able to use another sense of "Jing" , "Qi" , "God" to metaphor. Poetry is the most quintessence of his spiritual world, calligraphy is the highlight of his literati temperament, and painting is the display of his divine sense of mission. I remember Mr. Liu, who is over 80 years old, often mentioned a phrase that his teacher, Mr. He Haixia, used to say in painting: "starting at 80, " so I thought of the seven laws, "eighty, " which is called Marshal Ye Jianying, it is fitting, I think, to conclude this essay with Ye Jianying's poem, as if it were a continuation of the Long March. The Mentor is immortalized, the generation follows the humble dust. Hundreds of millions of Yugong stand together, the power of the five continents sink together. I like to sing songs at dusk, and the Green hills glow in the dark.
