廣西-韋先生瓷器專題精品推薦

As a classic of qing dynasty painted porcelain, kangximulticoloured porcelain has high artistic value and is favored by collectors inforeign markets. Early in the late qing dynasty, the republic of China period,kangxi colorful will be a large number of overseas, so in the international artmarket kangxi blue and white colorful from time to time. This kang xi stylemulticolour fish algae grain garlic head bottle is exquisite in shape, wellpreserved, it is really rare art treasures. Fish algae grain garlic head bottlefor kangxi generation of famous products, very rare. The outside of the bottle,water grass, duckweed between the five fish chasing potential, water grassduckweed floating sway, foil a "water" dynamic, the fish withcolorful hook gills painted scales, light red fish, black color dot eyeball,plump, swimming posture each different, depicting fine realistic, meaningwealth and wealth. A carp bottle from the water jump up, rich dynamic. Theother tail is at ease, swim between lotus. The overall composition is fullwithout overelaborate gas, dense but not disorderly. Bottom "in sichuanknow music", take meaning from zhuangzi language: "the son is not afish, know the joy of fish? Son not I, know I do not know the joy offish?" It is deeply philosophical.

歷史沿革

瓷制蒜頭瓶流行於明清，以景德鎮窯製品為多見，品種有青花、五彩、灑藍描金等。明清景德鎮窯蒜頭瓶有青花、五彩、粉彩、以及藍釉、醬釉等各種單色釉品種。明嘉靖蒜頭瓶是肩部有堆塑蟠螭裝飾；明成化蒜頭瓶，僅口部作花瓣狀，耳為隨意堆塑；明正德蒜頭瓶，在瓶腹上設出戟；明萬曆蒜頭瓶，趨於簡化，口部已無蒜頭了，但器形高大，以青花五彩為多見。清代蒜頭瓶的器形趨於輕盈秀美。

蒜頭賞瓶市場價值：

2019年蒜頭瓶相關成交記錄（Artron數據）：

王大凡 民國粉彩鵲橋會---成交價:RMB69.00萬---成交日期:2019年7月13日

民國 王步青花琮式瓶---成交價:RMB73.60萬---成交日期:2019年8月16日

王大凡“漁樵耕讀”瓷板畫---成交價:SGD432萬---成交日期:2019年5月28日

張志湯 民國雲錦呈才粉---成交價:RMB115.00萬---成交日期:2019年6月7日

民國 王琦粉彩人物淵明愛---成交價:RMB161萬---成交日期:2019年8月16日劉雨岑 繪 建國後 粉彩-----成交價:RMB57.50萬----成交日期:2019年7月6日潘匋宇 繪 民國粉彩高------成交價:RMB86.25萬----成交日期:2019年7月6日

隨著生活水平逐步的提高，人們更多地追求精神上的滿足。很多有錢人便選擇了收藏古玩，而收藏古玩就是一種投資，大家都知道，是投資就有風險，收藏古玩就很有可能會被騙子用贗品矇混過關，所以收藏者們都更加謹慎起來。明清時期景德鎮窯常見的一種瓶式之一，仿自漢代青銅蒜頭壺，長頸，削肩，圓腹，圈足，瓶口似蒜頭而得名。狀如蒜頭而頸略長，亦可稱之為虎爪瓶。

五彩蒜頭瓶制蒜頭瓶始燒於宋代，流行於明清，以景德鎮窯製品為多見，品種有青花、五彩、灑藍描金等。明清景德鎮窯蒜頭瓶有青花、五彩、粉彩、以及藍釉、醬釉等各種單色釉品種。明嘉靖蒜頭瓶是肩部有堆塑蟠螭裝飾；明成化蒜頭瓶，僅口部作花瓣狀，耳為隨意堆塑；明正德蒜頭瓶，在瓶腹上設出戟；明萬曆蒜頭瓶，趨於簡化，口部已無蒜頭了，但器形高大，以青花五彩為多見。清代蒜頭瓶的器形趨於輕盈秀美。

Garlic headbottle began to burn in the song dynasty, popular in the Ming and qingdynasties, to jingdezhen kiln products more see, varieties of blue and white,multicolor, blue painted gold, etc. Jingdezhen kiln in the Ming and qingdynasties has blue and white, multicoloured, powder enamel, as well as blueglaze, sauce glaze and other single-color glaze varieties. Ming jiajing garlicbottle is a pile of plastic coili decoration on the shoulder; Ming cheng turnsgarlic head bottle, the mouth part only makes petal shape, the ear is optionalheap model; Mingzhengde garlic bottle, set a halberd on the bottle belly; Mingwanli garlic bottle, tend to simplify, the mouth has no garlic, but the shapeof the tall, with blue and white multicolored. The shape of the garlic bottlein qing dynasty tends to be light and beautiful.

民國蒜頭瓶去哪裡交易好呢，宋無大器，相比之下元瓷胎厚重、型大、雄渾。但也有超出想象精製到薄如蛋殼，光照見影的小碗等。由於古代制瓷是師徒授受，代代相傳，注重器型的審美，因而比例諧調、圓潤流暢，有精、氣、神贗品器型表現:整體感覺不諧調、不規矩、僵硬、缺少匠氣、甚至有些不倫不類。溜肩不圓潤、鼓腹不流線，帶蓋的器物吻合不好，間隙過大。罐上裝飾的獸頭死氣不兇猛，瓶的象耳、壺上的鳳首流都做的沒有活氣。

民國蒜頭瓶市場價值，昆明高古藝術品交流中心經理李昆紅女士介紹，清代瓷器尤其以清康熙、雍正、乾隆三代之作品為突出，因制瓷技術在這段時期達到了巔峰，故所表現的風格多數是色彩斑斕蓬勃向上的，清“三代”瓷器也符合現代人追求華麗富貴的審美趨向。另一方面，在商業投資上，清代彩瓷的價格近年扶搖直上，受到了眾多瓷器愛好者的追捧。這件瓷器為藏家數代相傳，其保存完好且品相，是不可多得的精美器物，當前市場估價應在80萬元至120萬元之間。

【2】康熙款五彩人物紋觀音瓶精品推薦：

此件康熙款五彩人物紋觀音瓶以古代人物故事情節為主，多種彩料搭配運用，其中五彩斑斕深豔而黑彩又有黑漆般光澤，使得色彩對比更加和諧、沉穩。人物繪畫工藝精緻，表情生動傳神，畫面色彩沉穩、反口、直頸、圈足，瓶身繪人物故事紋。構圖嚴謹，筆法瀟灑，故事情趣濃厚，色調素雅清新。This kangxi multicoloured guanyin vase is based on the storyof ancient characters, with a variety of colorific materials, among whichmulticoloured and deep colourful black color and black lacquer-like luster makethe color contrast more harmonious and composed. The painting technology of thecharacters is delicate, the expression is vivid and vivid, the color of thepicture is calm, reverse, straight neck, circle foot, and the body of thebottle is painted with the characters' story lines. The composition isrigorous, the brushwork is natural and unrestrained, the story is interesting,the tone is simple and elegant is fresh.

觀音瓶：

觀音瓶是流行於清代康熙至乾隆時期的一種瓶式，觀音瓶特徵是侈口，頸部較短，豐肩，肩下弧線內收，至脛部以下外撇，淺圈足，瓶體修長，線條流暢。又稱“觀音尊”，清代康熙至乾隆年間流行瓶式之一，器呈侈口，頸部較短，豐肩，肩下弧線內收，至脛部以下外撇，淺圈足，瓶體纖長，線條流暢。康熙朝時景德鎮燒製的瓶式較多，有時瓶、尊在稱呼上不易區分，一般來說，口小腹大者稱之為瓶，以五彩、青花製品較為多見。

Guanyin bottle is a kind of bottle popular from kangxi toqianlong period in qing dynasty. Guanyin bottle is characterized by gap-mouth,short neck, abundant shoulder, under shoulder curve adducting, to the outsidebelow shin, shallow circle foot, slender bottle body, smooth line. Also knownas "guanyin zun", one of the popular bottle styles from kangxi toqianlong in qing dynasty, the vessel is open mouth, the neck is short, theshoulder is abundant, the undershoulder arc is closed in, to the tibial partbelow the outside, the shallow circle foot, the bottle body is long, the lineis smooth. During the kangxi dynasty, jingdezhen fired more bottles, sometimesbottles, honor on the name is not easy to distinguish, generally speaking, themouth is called a bottle, with colorful, blue and white products more common.

觀音瓶：觀音瓶瓷器的寓意：

觀音瓶的傳說

傳說，很久以前，有一年，禹州旱災嚴重，恰逢觀音菩薩下凡而來，便要布雲施雨，拯救禹州人民。當觀音菩薩要做法之時，發現手中無裝盛用的器物。觀音菩薩心想，聽聞禹州盛產鈞瓷，何不借這鈞瓷瓶一用呢?此時，正有一女，手持鈞瓷瓶而來。只見這寶瓷瓶，頸部較短，豐肩，肩下弧線內收，至脛部以下外撇，淺圈足，瓶體纖長，線條流暢，特別適合用來裝盛。觀音來到東海上空，把寶瓶口朝下，嘴裡唸唸有詞，只見大海里一股水柱直衝上來，鑽進寶瓶口裡。觀音用寶瓶吸罷水，返回到禹州上空，手捧寶瓶開端行雨。寶瓶裡每往外滴出一滴水，就化作滂沱大雨。禹州百姓為感謝菩薩的救命之恩，便將寶瓷瓶命名為觀音瓶。這即是觀音瓶外型的由來。由於觀音瓶外型簡練，線條流暢，對比適於鈞釉的改變，加上與觀音菩薩有必定的聯繫，有吉利美好之意，所以深受我們的喜歡，到現在還盛燒不衰。

觀音瓶的寓意

因“觀音”同“官印”，常被寓意事業步步高昇，加上與觀音菩薩有一定的聯繫，有風調雨順、五穀豐登、吉祥幸福之意，所以深受大家的喜愛，到現在還盛燒不斷。

鈞瓷觀音瓶的魅力不僅僅表現在它的傳奇故事上，更在於寶瓷瓶自身的魅力上。Because"avalokitesvara" with "official seal", often by the impliedmeaning of career step by step, plus a certain connection with theavalokitesvara bodhisattva, good weather, good harvest, good luck andhappiness, so by everyone's favorite, to now also sheng burning.

The charm of jun porcelainguanyin vase lies not only in its legendary story, but also in the charm of thevase itself.

觀音瓶價格

器型上，觀音瓶以細頸豐肩為基礎特徵。線條流暢，如流水瀑布順山勢而下，毫無造作之感。遠觀，好似“一個直立的人”，束頸、豐肩、修腹、斂足，線條比例之和諧如觀音玉立，令人有不能妄加增減一分一毫之感。

觀音瓶器型優美、釉色高雅，堪稱珍品。窯火凝珍，凝結出火與人的藝術;求珍去凡，創作傳世寶藏。

In the shape, the guanyinbottle is characterized by a narrow neck and abundant shoulder. The lines aresmooth, like water flowing down the mountain, without any sense of artifice.Distant view, like "an upright person", girdle neck, abundantshoulder, repair abdomen, accumulate sufficient, the harmony of line proportionsuch as guanyin yu li, make a person can not add add subtract a little bit offeeling.

Guanyinbottle beautiful, elegant glaze, can be called a treasure. Kiln fire condensestreasure, condenses the fire and the human art; Seek the treasure to go to theworld, creation handed down treasure.

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